Coyote Lost and Found

Dan Gemeinhart

45 pages 1-hour read

Dan Gemeinhart

Coyote Lost and Found

Fiction | Novel | Middle Grade | Published in 2024

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Themes

Content Warning: This section of the guide includes discussion of death.

The Past’s Hold on the Present

Throughout Coyote Lost and Found, the past often takes hold of the present and influences the characters’ moment-to-moment choices, particularly as they struggle with their grief and sort through the memories that they associate with various symbolic objects. Coyote and Rodeo are both deeply affected by the death of Coyote’s mother and sisters, and although both father and daughter try to move forward by living on the road and then settling in Oregon, they remain emotionally stuck. Their experience suggests that grief cannot simply be avoided or outrun. As Coyote reflects, “The funny thing about sadness, though, is that you can’t really run away from it. Not forever” (7). As always, Coyote uses simple but forceful language to outline her experiences, and this statement shows that the family’s sadness is persistent and unavoidable.


The past remains present in Coyote’s life through objects like her mother’s ashes and her determination to find the lost book of poetry. The ashes in particular are simultaneously a memorial of love and a heavy burden, for Coyote’s reluctance to scatter them reflects her desperate need to cling to her mother’s memory. Unfortunately, her focus on the ashes also prevents her from moving forward in her life. For Coyote, the past feels like a responsibility that must be completed.


Memories of Coyote’s past also appear in her flashbacks of her mother’s voice and magical moments of wonder, such as the apple orchard that rained apple blossoms. These memories come back to Coyote whenever she thinks about her mother, and her recollections actively shape her emotional decisions in the present. This dynamic reinforces how deeply the past influences her developing identity. Even her closest relationships are shaped by her grief, as evidenced by her fear of losing friends like Salvador or of being replaced by Candace’s addition to the family.


However, the novel’s events suggest that the past does not have to trap someone permanently, and Coyote’s conflicts are eventually transformed into a positive lesson. By the end, she begins to understand that holding on too tightly to the past can prevent her from healing. When her mother’s ashes are finally scattered, this act becomes a release of the past’s physical hold on Coyote. She comes to realize that although her grief and memory will never disappear, they do not have to hold her back or prevent her from feeling gratitude for her life in the present.

Appreciating the Journey

Coyote and Rodeo’s fondness for life on the road emphasizes the idea that the journey itself matters more than the destination—if there is even a destination at all. Even Coyote’s search for her mother’s book is a journey of a different type, for although it initially seems like a clear mission with a specific endpoint, it morphs into an adventure that is much more meaningful and unpredictable. As Coyote embarks on a journey of self-discovery, the road-trip structure of the narrative emphasizes the deeper emotional aspects of her quest, for each stop introduces new people and new lessons as the characters subtly challenge one another to grow.


Coyote’s reflective but informal voice reinforces this theme. At one point, she remarks that she is essentially choosing which parts of the story matter, and she actively skips the “boring stuff” with an eye for focusing on the meaningful moments. As she states, “I’m gonna go ahead and fast-forward the story a bit here. Because, basically, some boring stuff happened and then some very exciting stuff happened, and I think it’s best to just skip the crust and go straight to the peanut butter and jelly, if you know what I mean” (51). This metafictional style is the author’s way of showing that life, like storytelling, is shaped by one’s perspective. The journey itself is defined by the protagonist’s choice to focus on certain events that occur along the way, and Coyote’s choice is to examine the moments that are central to helping her to grow as a person.


The people Coyote meets also emphasize this theme. Salvador represents honesty and reminds Coyote that she needs to be patient with her own personal growth. Wally introduces Coyote to kindness in unexpected places, especially after experiencing racism during COVID-19, and later helps Coyote let go of her mother’s ashes. Doreen, who has also experienced loss, helps Coyote realize that appreciation and gratitude can exist alongside grief. These encounters show that the journey is filled with meaningful relationships that would not exist if Coyote had only focused on the destination.


Even setbacks contribute to this theme. When Coyote breaks into the thrift store and fails to find the book, it initially feels like a major problem, but it becomes a turning point that forces her to reflect on her priorities and emotional state. Similarly, moments of conflict with Candace and Rodeo push Coyote to reconsider how she treats others and how she handles change. By the end of the novel, Coyote understands that the journey itself has been the real source of growth. She comes to appreciate the experiences and relationships formed along the way and realize that people are shaped the meaningful moments and people in their lives.

Gaining Perspective With Maturity

One of the central themes in Coyote Lost and Found is that growing up requires learning how to let go. This includes physical objects, but also emotional dependencies and naive perspectives. Coyote begins the novel holding tightly to her mother’s ashes, fixated on the idea that she must discover and honor her mother’s final wishes as to where those ashes should be scattered. As she pursues this quest, her belief that she must follow her mother’s wishes at any cost actually reflects her resistance to change and emotional growth. As the story progresses, however, she gradually learns that the preservation of love does not depend on any particular object or action.


Coyote’s relationships illustrate her own growing maturity, particularly when she reflects on the changes in her friend Salvador, who has become more independent and easily makes friends at school. Chagrined by these changes, Coyote wryly notes, “Growing up is funny because you’re just going along, being a kid and feeling like a kid and acting like a kid and then one day you’ve got a friend with a mustache” (71). At first, Coyote resists the shifts in her friend’s life, fearing that she might be replaced or become irrelevant to him. Over time, however, she feels strengthened by his reassurances and learns that just because relationships change, they do not have to vanish entirely. In a parallel life lesson, Rodeo’s relationship with Candace forces Coyote to confront the reality that her father also deserves to build a life beyond their shared grief.


The wisdom of this theme is most prominently displayed in the eventual scattering of the ashes. At first, Coyote struggles with the idea of releasing them, and she fears that letting go of them will require her to somehow forget everything that her mother has meant to her. However, with the help of her friends and family, she comes to realize that her mother’s presence is not contained within the ashes. In this healthier light, the act of scattering the ashes becomes a moment of acceptance that connects Coyote to those around her and teaches her that growing up often involves rethinking her beliefs on how best to stay connected with those she loves.


On a deeper level, Coyote reflects on her memories of her mother and begins to understand that they can exist alongside her present life without overshadowing her every thought and action. This improvement in her emotional balance reflects her new willingness to recontextualize the most difficult moments of her life, and the novel uses these events to suggest that people are constantly evolving into the truest versions of themselves. Salvador explains this idea with his metaphor comparing Coyote to a caterpillar that is trying to become a butterfly. As Coyote comes to define herself by what she is willing to accept and embrace, she learns to let go of her anguish over what she lost. Her journey is therefore part of an ongoing process of adapting to the present while honoring the past.

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