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Content Warning: The source text and this guide contain descriptions of illness and ableism.
Chapter 7 focuses on Larry’s professional and literary activities in Madison. In addition to his teaching responsibilities, Larry writes several short stories, a few of which are published. Larry also writes a novel, the content of which is not described. As Sally’s due date draws near, Larry grows more anxious. Describing himself as an “overachiever, a workaholic” (97), he puts deliberate effort into dividing his time between life and work. The constant danger is that he will neglect Sally, and his method of dividing his time is stark. As he states, “there are one hundred sixty-eight hours in a week. Seventy of those I dedicated to sleep, breakfasts, and dinners (chances for socializing with Sally in all of those areas) (97).
These anxieties are intensified as the darkening storm of the incipient World War gathers: “We loved our life; we never looked up from it except when rallies for the Spanish Loyalists ruffled the waters of the university [...] or when Hitler’s frothing voice over our radio reminded us that we were on a bumpy gangplank leading from world depression to possible world war” (102-3). In his retrospective musings on this mix of ominous signs, Larry laments his failure to have kept a journal on these events, but he concedes that at the time, he was simply unaffected, if not indifferent.
Chapter 8 begins on March 19, 1938. Charity has just gone into the hospital to deliver her baby. Sally tuts that she has lost the “baby derby,” but the couples remain optimistic. Soon, Larry receives word that a publisher has picked up his novel. Larry’s novel is deeply personal.
The friend also inadvertently caused their deaths in an aviation accident. However, Larry is yet aware of the double-sided character of this resentment as he himself profits from this tragedy. He muses, “Yet now, having held in grief and resentment, and evaded thinking too much about the episode that changed my life with the finality of an axe, here I am exalted by having made use of it, by having spilled my guts in public” (109). The others greet Larry’s achievement with joy and praise, throwing an impromptu party in his honor. At the party, Larry tentatively begins to indulge the feeling of success, but these intimations of self-satisfaction are broken when Sally goes into labor.
Chapter 9 is a brief set of recollections as Larry anxiously waits for Sally to deliver. The baby is breech, meaning that Sally must endure a difficult and dangerous delivery, and Larry describes himself as being “imbecilic with shock, fatigue, and fear, and close to passing out” (118). Charity and Sid are with them, providing what comfort they can. At an indistinct point, Larry learns that the delivery was a success; although the baby girl has a broken arm, she and Sally are resting. As Larry reaches exhaustion, he has greater and greater trouble tying the events together in his mind. To lift Larry’s spirits, Charity muses about names, admitting that she and Sally had decided on the name Lang, to which Sid and Charity offer the joking hypothetical: “Why didn’t Sally think? We had a plot to marry her to David [their son] if she turned out female. What kind of name is that going to leave her? Lang Lang. She’ll sound like a streetcar” (123).
Following the birth of Larry’s daughter, Chapter 10 details more of Larry’s anxiety about his profession. It is a tense time at the university, with promotions being announced and decisions being made about whether to allow certain faculty members to stay on. However, given that it is 1938 during the Depression, there are few positions available. Although Larry has taught a full course load while writing stories and a novel, he does not receive a promotion. Instead, he is allowed to stay only for a temporary appointment. Similarly, Sid is only given an extension. He and Larry are indignant, but their situation is desperate. As Larry notes, “Hard times are instructive and humbling. I can’t forget that I have a birth-damaged daughter, just coming around, and a still-recovering wife, and that medical expenses and the girl we have hired to help Sally have eaten up most of our savings” (126). These extensions only grant up to six years.
They find out together and are loath to tell their wives. When they decide to have a boat ride to ease their worry, an accident happens, and they all must bail out, their wives included. This emergency eclipses the husbands’ bad news, and all four gain a new feeling of closeness borne from simply surviving. Larry asserts, “We liked those two from the minute of our first acquaintance. After that shipwreck afternoon we loved them both, sometimes in spite of themselves and ourselves” (141).
In Chapter 11, Larry and Sally separate, and Sally leaves to visit relatives. Larry remarks that this is the longest they have ever been separated; they exchange letters. Larry is productive during this time and quickly writes a novel, but he misses Sally terribly. In addition, he begins to become suspicious of Sally and Sid. Yet at the same time that Larry worries about Sally being alone with Sid, he himself kisses Alice, the wife of a colleague.
With his work still partially unfinished, he resolves to drive up to visit Sally and the Langs. While on the road, he has a close call. He arrives exhausted in the middle of the night, and his memory of the incident fades. It is not until the morning that he final feels at home, back with those he loves.
Chapter 12 details the two couples’ idyllic life together at the country home in the Northeast. For Larry, the days have a refreshing regularity: “We did our hours of constructive work, all of us, from eight to eleven-thirty: Sid in his study, Sally and Charity with their babies and house plans and shopping and village volunteerism, I in the moving shade of the treetops on the guest-house porch” (153).
Swimming, tennis, and general relaxation occupy their days. At dinner, prominent guests visit, and there is vigorous and serious talk. Later, Sally and Larry are introduced to the family. Larry’s professional troubles are on his mind for these introductions, yet he is proud of his nascent literary life as he works on his next book. It is here that he decides to make writing a career, despite the great risks involved.
Chapter 13 describes a walking trip that Larry takes with the Langs. The uncertainty in their professional lives makes the trip unusually tense. Larry remarks on this tension in his recollections: “Since this story is about a friendship, drama expects friendship to be overturned. Something, the novelist in me whispers, is going to break up our cozy foursome” (163-64). He points to his own real, though misplaced, anxiety regarding Sid and Sally: “[W]hat more plausible than Sid Lang, a rampant male married to a somewhat malleable wife, should be tempted by Sally’s softer nature. I have already dropped a hint of that by recalling my uneasiness about their skinny-dipping” (164). However, what transpires on the trip is completely different than Larry’s expectations. The Langs offer a place for Sally and Larry to stay while Larry is writing his next novel. With this good news, however, comes an emergency: Sally becomes mysteriously weak and faint, an illness revealed to be polio. The coincidence is not lost on Larry, who cynically notes, “Good fortune, contentment, peace, happiness have never been able to deceive me for long. I expected the worst, and I was right” (195).
This section of the novel focuses on deepening the relationships between the two couples, and Larry’s frustration with his failure to carve out a stable niche for himself in the academic world reflects the degree to which he has placed his hopes on truly “arriving” in this particular social sphere. Due to the economic hardships of the era, even his exemplary work is not enough to warrant a permanent place in the vaunted “ivory tower” that he so zealously romanticizes. Despondent over his perceived failures, he does not yet fully recognize The Pitfalls of Seeking Self-Worth in Academia, and these perceived failures set the stage for his later decision to pursue a riskier course of action as a budding writer. In the meantime, he pursues his literary ambitions in addition to his academic ones. His novel, which communicates the tragedy and resentment of losing his parents, is both a personal and professional success, one that branches away from his professional life and into a more artistic mode. Yet at work, he is subconsciously eager to make up for the deficit he perceives in himself, and he continues to seek external forms of approval in the form of a permanent position, frustrating himself with the uncertainty of his career’s long-term viability.
Notably, it is only through conscious effort that Larry manages to devote time to Sally, and the self-centered nature of his recollections clearly places his wife and her concerns at the periphery of his world. For example, it is at an impromptu party for him that Sally begins to go into labor, and he centers his own emotional experience of her dangerous delivery, relating the intensity of his panic and exhaustion. The gritty reality of the crisis also rocks him to the core because unlike the safe abstractions of the academic world, this is a situation over which he has no control, and his own general inexperience with life becomes readily apparent. In the hospital, for example, he is viscerally struck by the amount of blood at the delivery, nearly losing consciousness more than once. The experience shatters the central delusion of the previous chapters, in which he overvalued his professional, academic, and artistic success; real life, Larry discovers violently, does not conform to the idealistic portraits and calm pursuits to which he has been accustomed, and he must reckon with the unpleasant realization that nothing he holds dear is certain to last.
As their life grows more complex in Madison, Larry’s darkening fortunes at the university compel him to divert even more of his energy into writing novels, and he uses this endeavor as a distraction from his perceived professional failures, clinging to the sincere belief is that his talent and hard work will win out in the end. Given the atmospheric conditions of the Depression, Stegner implies that this view is naïve and myopic, but Larry’s attitude also reflects a sincere attempt at Navigating the Effects of Disillusionment. Faced with the atrophy of one dream, he gamely switches to another. Despite this outlook, however, his trajectory also represents a certain comingling of arrogance and youthful optimism, and he seeks refuge from reality in his work, hoping to gain recognition for his creative potential. Yet even so, the details of Larry’s academic and artistic work remain sparse throughout the narrative, with Larry writing novels with tremendous speed and seemingly little notice. Although he is conscious of their value to his career, his retrospective account takes little notice of what they mean to him as literary works in and of themselves. This duality intensifies as the tempo of Larry’s work increases, and the disconnect between his younger self and his older, narrative persona creates a more subtle, complicated vision of Larry than the one presented at the beginning of the novel.
As these dynamics develop, the end of Part 1 features several large events that eclipse the couples’ day-to-day existence, introducing uneasy undercurrents into their lives. When Sally leaves for a brief trip to recuperate in Vermont, for example, Larry projects his own anxiety and loneliness onto her and has great difficulty in sustaining his own work on his own. Later, even as Larry summons the courage to make the leap to write fiction full-time, Stegner introduces an uncertain note, with the problems in Larry’s marriage masked by his newfound resolution. This new dynamic sets the stage for the further unbalancing that occurs with the crisis of Sally’s polio, and Larry sustains a sudden, irrevocable blow to his belief in his own ability to order and master his life—the “dream of man” (195), as he calls it. In a pattern characteristic to the novel, Larry’s descriptions of high anxiety and panic in these situations renders the plain facts of each event nearly inaccessible, and only in later chapters will the narrative reveal exactly what has transpired in these difficult and challenging moments. These deliberate omissions highlight The Inevitable Distortions of Memory, which often punctuate Larry’s retrospective account.



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