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Content Warning: The source text and this guide contain descriptions of illness and ableism.
The novel’s nuanced depictions of love and friendship are designed to parallel the two couples’ triumphs and challenges amidst life’s misfortunes. As Larry attempts to create a faithfully accurate account of these past decades, he remains painfully aware of the temptation to fictionalize, and his account reflects his younger self’s tendency to idealize his closest friends. In the earliest years of the friendship between the Morgans and the Langs, Larry tends to treat Sid and Charity as imaginary entities, rather than real people, seeing them as ideal representatives of the high-class, academic social circles that he years to join. Over time, however, he grows disillusioned upon witnessing their inevitable flaws, and this dynamic contributes to the distance that keeps the two couples apart for eight years before their final reunion.
At first, Larry idealizes the Langs for what they represent in his eyes: a sophisticated, upper-class life that exists in a world apart from his own humble beginnings in New Mexico. In his naïve view, both Sid and Charity stand for a rarified idea of culture, breeding, and sophistication—everything that Larry is afraid he lacks. At first, Sid and Charity intimidate Larry, but his opinion of the Langs changes as he gets to know them in both positive and negative ways. The argument is twofold: As Larry gets to know the Langs as real people, he is unavoidably disappointed by their failure to live according to the ideals he has pegged them to—or, in the case of Charity—put off by the cost of living according to these ideals. The dynamics also shift as Larry grows more confident in his abilities, for as his anxiety wanes, so too does his inferiority complex, and this new frame of reference enables him to perceive the Langs as they truly are and to analyze their faults.
However, Larry is most critical toward Charity. He believes that Charity is callous and unconsciously cruel in her treatment of Sid. In Larry’s view, because Charity doesn’t respect poetry, it therefore follows that she does not respect Sid either, given her husband’s passion for the topic. Larry attributes this dynamic to Charity’s inflexibility in her arbitrary judgments of what is valuable and what is not: an attitude that she inherited from her upper-class family and upbringing. Likewise, Larry resents Charity’s unwillingness to embrace change, for even when she is diagnosed with terminal cancer, she maintains her lifelong insistence that everyone follow her lead and accede to her demands. However, in blaming Charity for her domineering ways, Larry does not hold Sid accountable for his own decisions, actions, and inactions. In reality, Sid’s decision to pursue poetry is not Charity’s fault, and she does not prevent him from becoming a poet. Instead, Sid’s desire to do right by Charity, combined with his own insecurities, leads him to sublimate his own desires to her opinions, and the inevitable resentment that he grows to feel is due in part to his own decision to prioritize her demands over his own interests. The pattern of his marriage thus reflects his inability to stand up for himself as a committed, equal partner, and over the course of the story, Charity becomes a scapegoat for Sid’s own misgivings about his poetic talent. Yet because the entire story is told from Larry’s perspective, the narrative’s pointed portrayal of this scapegoating mirrors Larry’s growing disillusionment with Sid. Pivoting from his view of Sid as an intimidating, almost mythic figure, Larry comes to see him as a “fumbling man” at the end.
The dynamics of Sally and Larry’s relationship are much different and carry their own version of disillusionment. Sally is relentlessly committed and supportive of Larry throughout the uncertainty and tumult of their years in Madison, as well as during the rocky beginnings of Larry’s literary career, but although Larry never ignores her selflessness, he nonetheless feels disempowered to return her devotion. Later, when the onset of Sally’s polio creates the occasion for Larry to return the devotion she has shown him, he does so against his will as he struggles with the implications that her illness will have for the idealized future that he has envisioned. When he actively lavishes her with the support that she needs, their marriage grows stronger, and he gains a more realistic view of the world in the process. At the onset of her illness, Sally feels guilty for needing so much care, but eventually, she and Larry learn to trust each other more fully and stay honest with each other, and this healthier dynamic abates the guilt. In the end, both couples must contend with the stark differences between the lives they imagined for themselves and the lives they ultimately end up with, and they each have different reactions to the limitations that the world imposes upon them.
Memory plays a subtle yet dramatic role throughout the novel. A large part of the narrative reflects upon the aspects of life that are lost and distorted. Larry refers to his memories as “fragments,” acknowledging the fundamentally disorganized array of details that constitute his current understanding of his own life experiences. At times, he even goes so far as to openly fictionalize his account, blatantly inventing episodes to relate events whose true details have been lost; these episodes do more to describe Larry’s feelings and intentions than to relate any objective information. Even in moments of relative neutrality, Larry’s habits and emotions affect his selection and coverage of events, and at its deepest level, the entire novel can be read as an indirect character study of Larry himself. For example, both the boating mishap and Sally’s delivery are difficult and stressful episodes in the Morgans’ lives, but the high anxiety and strain has affected Larry’s ability to recall the details accurately, as if his memory—in the capacity of a record-keeping instrument—has itself been damaged beyond repair. Thus, the way Larry remembers these events and strings them together provides critical insights into his feelings and motivations, particularly as his earlier idealism and enthusiasm gradually gives way to a more indifferent, pessimistic mood.
The action of memory also creates an indirect account of how Larry’s values change over the years. The way Larry describes his younger self sheds light on these personal conflicts and anxieties. However, much of this shift remains impossible to quantify, as Larry’s evolution is not an exchange of values, shifting from one side of the aisle to the other, but a gradual reinterpretation. A generous interpretation would label this dynamic as a simple change in “perspective,” but in a negative sense, it bears all the hallmarks of self-alienation. While his indifference toward the events of World War II and the turbulent post-war period are characteristic of the self-reclusion of academics and intellectuals at the time, what is notably absent throughout even these recollections is any substantive account of his own academic or creative work. While this lack can be partially explained by Larry’s conscious choice to focus on his family and relationships, it is not until the end of the novel that this hypothesis is proven to be incomplete. In the closing chapters, Larry makes the decision to write only about his friends, and this stated intention exposes the unconscious divide that he has always maintained between his life and his work, shedding further light on the biases that color his account.
The novel is as much a story about academia as it is about friendship and the particularities of recollection. Critical to a solid understanding of this novel is the role that high culture plays in the minds of the characters, for the narrative contains both lofty idealism about the meaning of culture and a marked pretense about the entitlement and acquisition thereof. For both couples, the abstract ideal of high culture is as much a subject of the imagination as it is a guide for life and a resource of one’s “true” identity. However, as the grittier details of their lives unfold, their fixation slowly and subtly begins to wear off, and the glow they once carried for this enterprise begins to fade, leaving them all disaffected.
For the young Sid and Larry, “culture” is far more than a body of works or an observed way of life; they view this concept as a source of identity and seek a sense of self-worth by conforming to its demands. In their view, full immersion in academia and higher education automatically offers a more meaningful life. Yet due to several personal shortcomings and unavoidable circumstances, both men struggle to find this meaning in their academic careers, and their misperception of themselves as members of a rarified elite contributes to the sense of entitlement that eventually lands them in a morass of disillusionment. Early in the novel, Larry believes that he and his colleagues are an elect, who with talent and hard work have earned the right to consider themselves enlightened and sophisticated. Underlying this conceit is the belief that they are—and must remain—separated from the rest of society and its concerns. For example, when the Langs and Morgans take a joint trip to Italy, they believe that they have finally found their “true” selves in this old culture, which in their view represents the height of their elitist idealism. However, the hubris of this view become clearer as the novel progresses, and the real consequences for Sid and Larry are deeply personal, not social.
Although Larry and Sid exhibit persistent indifference in historical matters, their cloistered mentality does not acknowledge the consequences of their attitudes, and they begin to slip into self-detachment and disaffection. For them, academic work quickly becomes a means of separation, not from other social classes or historical and political events, but from expectations outside of the roles given to them. For both Larry and Sid, academia and literature are narrow niches that they outgrow and come to resent. However, the discontentment they feel in later years also reflects their overattachment to these professions, and Stegner keeps the details of their professional lives conspicuously sparse, as if to suggest that such details about their erstwhile academic careers are ultimately irrelevant.
Notably, Larry and Sid, take different paths toward the disaffection that they both eventually come to feel about their lives, and of the two, Larry makes stronger efforts to redefine his role and his life. Because he quickly loses his position at the university in Madison, he must commit wholeheartedly to his literary talents, working hard to support himself and his family. Sid, however, remains secure and comfortable in his enduring position at the University. The difference between these two fates testifies to a peculiar truth: Adversity and uncertainty do more to stimulate risk and growth than do complacency and security. Larry, in having to believe in himself and hold himself accountable, fosters his talent, while Sid remains in the role decided for him. Although Sid has a larger family to support, he chooses not to grow beyond this role and comes to regret his choice. Yet later in life, even Larry fails to fully break free of these cultural confines, for although he makes the leap to redefine his own future, he too eventually settles into yet another niche and comes to doubt the value of what his life has become. In both cases, the men’s pursuit of academic prestige cannot provide them with the meaning they seek.
With these pointed parallels, the novel critiques the idea that pursuing a life in the rarified world of academic elites will automatically grant the seeker purpose and meaning, minus the struggle that leads to such an epiphany. Both Sid and Larry find that in seeking after such a status, they find no such thing. Instead, the high culture they so esteem does not provide them with any meaningful answers to life’s deepest questions. Even for those who pursue the academic lifestyle industriously and faithfully, as Sid does, the rewards of such an existence are implied to be limited and always perishable.



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