Lost Lambs

Madeline Cash

53 pages 1-hour read

Madeline Cash

Lost Lambs

Fiction | Novel | Adult | Published in 2026

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Chapters 17-23Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of physical abuse, child abuse, illness, sexual harassment, death, substance use, and child sexual abuse.

Chapter 17 Summary

It’s a typical day at work for Wes at Alabaster Manor. He grew up on a wheat farm where he worked hard, and his father beat him when he complained about his stomach cramps. He went off to military school and was recruited to private mercenary service. Today, he must deal with one of the many protestors who come to shout at the manor’s walls. The woman tells him that Alabaster lied about dumping chemicals and that the water and the air near her home are poisonous. She has cancer, and her daughter was born blind, the result of exposure to toxins. Wes is sympathetic and speaks gently to her; he says that he’s just security.


Wes gets a call from his private investigator, who says to meet him at Catwok, a Chinese strip club. Once there, the investigator shows Wes a photo from a few years ago; it depicts three men in suits with Venetian masks covering their eyes, and Wes recognizes Alabaster. He also recognizes the man who called himself “Dolt.” He can’t identify the third. The men surround a young girl who is slumped, unconscious, in a chair. The investigator says that “Dolt” is the Alabasters’ doctor and that the third man is the Alabasters’ private religious consultant, Father Andrew. When Wes gets back to Alabaster Manor, he’s informed that he’s been fired.

Chapter 18 Summary

The narrative flashes back to tell the story of how Father Andrew became a priest and how he ended up working for Paul Alabaster.


In the flashback, Father Andrew endures the seven-hour sexual harassment training at Our Lady of Suffering, learning about all the ways he and the other employees aren’t supposed to touch members of the congregation. He recalls his thesis on female sensuality in French film, thinking that society has become far too uptight. The instructor asks him about his reasons for becoming a priest, and he tells a story about hearing a lecture and being inspired. In reality, he went to a poor country full of beautiful beaches and jungles with a college girlfriend during spring break. They had too much to drink, and he ran over someone. When he got home, he fell into despair. He confessed to a visiting priest and vowed to spend his life atoning.


When Father Andrew begins offering spiritual advice about a “return to traditional values” on YouTube (217), he attracts Alabaster’s notice. Alabaster visits his office and tells him that change can be enticing but risks compromising principles. He confesses that he has no interest in aging or “withering,” and he asks to hire Father Andrew as a private consultant. Alabaster says that they can help each other, though Father Andrew demurs. Alabaster says that he’s been fortunate enough to travel a lot, even “down dark roads in vast jungles” (220). Alabaster invites him to a party that night and then threatens blackmail by explicitly referring to the vehicular manslaughter.

Chapter 19 Summary

The narrative returns to the present. After his windfall, Bud decides to take his daughters to see his father. Bud was hesitant to cash Alabaster’s check, but feels it’s okay to use the money to benefit his family. He invested some for the girls and then bought each daughter and Miss Winkle a nice present.


At the airport, the family learns that Louise is on the no-fly list, and airport security escorts them off the premises. When they get home, Bud goes up to the treehouse and finds a collection of substances and devices as well as a pyrotechnics manual. Louise says that yourstruly was coaching her to make a baker’s bomb to blow up the beauty pageant. She explains that yourstruly got in trouble with the government and had to give up a list of names. When Bud asks who yourstruly is, Louise says that he’s her boyfriend.

Chapter 20 Summary

After this, Bud and Catherine declare a truce. Louise is suspended from school, and word gets around that she was planning to bomb the pageant. The house falls into greater disorder, and Catherine questions herself as a mother. She decides to address the downstairs bathroom first, and she finds water leaking under the sink and mold growing. She tells Bud that they need to remodel, and he suggests that she’s looking for something easier to deal with than their children. They devolve into unproductive arguing again until Bud finally relents.


Catherine finds the name and number for a local contractor on a community bulletin board. She fantasizes about what “Remy” might look like, but when Remy shows up, she’s a woman. Remy is strikingly beautiful, which irks Catherine, but she gets right to work. Catherine reflects on the failed “arrangement” in which Bud has found partnership and fulfillment and she’s found only lack. Remy finds some pills in a baggie tucked behind the bathroom mirror, and Catherine claims that she has no idea what they do, so they take them.


Catherine and Remy each take one blue and one yellow pill, and then they lie in the grass in the backyard. It’s daytime, but the moon is out, and Remy tells Catherine that it’s called an “errant moon.” They talk about children, and Remy suggests that being a mother is the most profound and intensely creative role. Catherine loves this perspective that she’s an artist simply because she’s a mother. She and Remy kiss.

Chapter 21 Summary

Irritated with Abigail’s relationship with Wes, Tibet thinks that love is a conspiracy. She decides to research the invitation, and using its calligraphy, she traces it to one of six houses in Eastern Europe. She locates its origin and, over the phone, convinces the calligrapher to give her a list of all the invitees. The entire list is male except Abigail. In her conspiracy forums, she solicits information about Alabaster. Soon, she has to go to school, and Abigail warns her not to get too carried away with “online freaks.” Tibet warns Abigail not to go to Alabaster’s party, but Abigail thinks the rumors about him are just talk. Tibet makes her promise that she’ll buy a weapon from a girl who sells them in the bathroom. When Tibet tries to consider what is true and what isn’t, all her theories merge together, and she starts to question the nature of truth itself. Ultimately, she decides that she doesn’t really need to know the truth about certain things, as long as they don’t directly affect her. She knows that she does love her friend, though, and she doesn’t want Abigail anywhere near Alabaster.

Chapter 22 Summary

Four days after Wes was fired from Alabaster Manor, the investigator takes him to a cargo container in the harbor. The container has been broken into with a crowbar, and they find food and water inside, along with scratches around the lock. It’s clear that someone was living in it. The man says that he’ll send Wes his bill, indicating that he is finished looking into this matter.

Chapter 23 Summary

Since camp, Harper feels like she’s been in limbo between being a child and a woman. She fears being sent back, so she hasn’t done anything since her return. Her and Louise’s phones were confiscated as punishments, and they keep ringing from the drawer in the kitchen, and Harper and Louise realize that Tibet is trying to reach them, so they pick up. Tibet says that Abigail went to a party at Alabaster Manor and isn’t answering her phone; Tibet believes that the billionaire is running a child-trafficking ring and that Abigail is in danger. Harper says that they’ll take it from here.


Harper finds Abigail’s diary, which mentions the party. Bud and Catherine are both out on dates, and both left cash for the girls for dinner. Harper grabs the cash and calls a cab. They go to Wes’s apartment, introduce themselves, and tell him where Abigail is. Marshall jiggles a panel loose from the wall and retrieves a massive rifle. Louise is shocked; Harper ogles it in awe. Wes, Marshall, Harper, and Louise go in Wes’s truck to the manor, and Wes calls in a massive IOU from Tibet’s cousin to let them in at the gate. Wes tells the girls to wait in the truck, but they don’t. They notice that the party is full of masked men. They make eye contact with a figure in the hallway and are shocked to recognize Father Andrew. He tells them to get out of there, but they say they have to find Abigail. Suddenly, everyone around them begins chanting in unison and moving in one direction.

Chapter 17-23 Analysis

The actions taken by Tibet, as well as the two younger Flynn daughters, demonstrate Adolescent Agency Under Institutional and Parental Failure. When Tibet realizes that Abigail is putting herself in danger by going to Alabaster Manor, she doesn’t call her own parents or Bud and Catherine; instead, she calls Harper and Louise. Both Flynn parents are out on dates, careless with their daughters despite the girls’ past challenges with making safe and appropriate choices. That Tibet feels more comfortable putting Abigail’s safety in the hands of Abigail’s 12- and 15-year-old sisters than her parents is particularly damning. As though to confirm this, Harper tells Tibet, “You did the right thing calling us […]. We’ll take it from here” (257).


Coming from a 12-year-old, this stamp of approval and reassurance contribute to the atmosphere of absurdity, but the events that follow bear it out. It is Harper who finds evidence of Abigail’s intention to go to the party in her diary, Harper who takes the money their parents left and calls a taxi, Harper who involves Wes, and Harper who will not remain in the truck while Wes and Marshall search for Abigail alone. In addition, Harper’s belief that something corrupt and illegal is happening at the harbor and within the Alabaster family is vindicated even as the novel furnishes further proof of the unreliability of its adult characters. When Louise mentions the possibility of calling the police at Wes’s apartment, everyone else looks at her as though “the idea had never occurred to them” (262). Practically every authority figure has turned out to be either negligent, like the Flynn parents, or downright corrupt, like the Alabasters and everyone covering up their operation, including Father Andrew. Harper, who correctly guessed long ago that the cedar balls were covert spy devices, is a more reliable, capable, and ethical authority than any of these adults.


The situation involving Paul Alabaster expands the novel’s social satire. From the evidence that the investigator shares with Wes, the evidence Tibet uncovers, as well as what the girls observe at Alabaster Manor, it’s clear that Alabaster is involved in a human trafficking ring. His status as an ultrawealthy white man—a status symbolized by his last name—has evidently protected him from questions about his operation at the harbor and, ultimately, from prosecution. Indeed, the novel demonstrates that multiple levels of institutional complicity enable Alabaster’s actions. He pays off Bud Flynn for his “discretion” after Bud attempts to raise the problem with his immediate supervisor, a man who says that they are “paid well” to look the other way. Nor is the complicity limited to Alabaster’s own corporation. Licensed medical professionals like “Dolt” and ordained priests like Father Andrew have taken oaths promising to provide for the physical or spiritual well-being of others, yet they are now doing precisely the opposite. Ultimately, the novel associates this corruption with capitalism, most explicitly in the dialogue between Father Andrew and Alabaster; when the former says, “I am a priest […]. My relationships are not transactional,” Alabaster replies, “I’m a capitalist. Everything is transactional” (219). He knows that in contemporary American society, everyone has a price that he can leverage to abuse the law without consequence to himself.

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