37 pages • 1-hour read
Vincent Delecroix, Transl. Helen StevensonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Vincent Delecroix, born in Paris in 1969, is a French philosopher and novelist who teaches at the École Pratique des Hautes Études and is best known in academic circles for his work on Søren Kierkegaard, the 19th-century Danish philosopher whose writing on guilt, anxiety, and the relationship between a single self and the moral law underwrites much of Small Boat. Before Naufrage (the original French title of Small Boat), Delecroix won the Prix Valery Larbaud for Ce qui est perdu (2006) and the Académie Française’s Grand prix de littérature for Tombeau d’Achille (2008). Naufrage was longlisted for the 2023 Prix Goncourt, one of France’s most prestigious literary honors, and shortlisted for the 2025 International Booker Prize in Helen Stevenson’s English translation.
Delecroix’s Kierkegaard scholarship leads him to the question of how a person justifies herself before her own conscience. In works like Fear and Trembling (1843) and Either/Or (1843), Kierkegaard explores the essential question of how individuals can become moral authorities over their own lives rather than uncritically accepting the authority of others, a question that drives the narrator of Small Boat as she struggles to make peace with her own moral choices. The device of the policewoman—who uncannily resembles the narrator and speaks for the narrator’s conscience—can also be traced to Kierkegaard, who invented over a dozen pseudonyms to act as authors, editors, and contributors to his works. These invented personalities gave voice to conflicting worldviews and values, allowing Kierkegaard to assimilate contradictory ideas into a cohesive body of philosophy. In a similar way, the possibly-imaginary policewoman represents one side of the narrator's bifurcated mind, externalizing an internal conflict.
The events that inspired the novel’s fictional story happened on the night of November 23, 2021, in the busiest month for small-boat Channel crossings on record at that point. Around 7,000 asylum seekers attempted the crossing that month. The specific dinghy whose fate inspired Small Boat launched from a beach near Dunkirk just after 9:00 pm on November 23, carrying roughly 30 people from Iraq, Afghanistan, Ethiopia, Egypt, Iran, Vietnam, and Somalia. The boat’s passengers began calling rescue services after midnight. The recorded exchanges between the dinghy and the CROSS station at Cap Gris-Nez became central to the eventual French criminal inquiry. Twenty-seven bodies were recovered the following afternoon. Two passengers survived.
The disaster was part of a larger pattern. Small boats carrying migrants across the English Channel became commonplace around 2018; by late 2024, according to figures cited in Harding’s Introduction, the International Organisation for Migration had recorded around 300 deaths along the corridor, of which at least 80 were drownings (xii). Asylum claim acceptance rates for those who reached the United Kingdom from France ran at roughly 75%. In 2023, a French investigating judge opened a file on five CROSS staff and two crew members of the patrol vessel Flamant on suspicion of failing to assist persons in danger. The narrator of Small Boat is a fictional character inspired by the radio operator on duty that night, and the recordings she and the policewoman listen to in Part 1 are similar to exchanges entered into the police record. Several of the most damning lines that the novel attributes to her, including the suggestion that the migrants will not be saved because they are in English waters, are drawn from the public reporting of the case.



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