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Content Warning: This section of the guide includes discussion of illness, disordered eating, bullying, graphic violence, death, sexual harassment, child death, and mental illness.
Cassie decides she must understand the reasons behind Bobby’s troubling behavior. Believing the answers are in the journal and notes, Cassie resolves to ask Nick to translate their Ukrainian text. She once again feels a conflict between her loyalty to Henry and her growing connection to Nick, but she prioritizes helping Bobby and calls him. Nick is relieved she isn’t canceling their upcoming date and agrees to come over immediately. To avoid waking her daughter, Birdie, and Bobby, Cassie asks him to meet on the back patio.
When Nick arrives, Cassie explains that Bobby has been having flashbacks and suggested the translation herself. As they begin, Nick organizes the dated journal entries and loose papers chronologically. For two hours, he translates while Cassie types. They discover that “P” from an earlier note was Pavlo, Bobby’s first love, and that Bobby had a sister named Alina, a fact previously unknown to the family. This new information helps Cassie connect Bobby’s habit of hoarding food to the journal’s mention of Stalin’s men confiscating grain.
In September 1932, Alina is delirious with fever and experiencing intense starvation. This affects her ability to feed her baby, Halya, and becomes a source of great distress. Katya is now Halya’s sole source of breastmilk. When Alina attempts to nurse, the infant’s frustrated screams worsen Alina’s distress. Kolya is distraught, fearing he is losing her. Katya and Kolya find a rabbit while foraging, giving Katya a brief sense of hope. During a moment of lucidity, Alina makes Katya promise to always care for Halya as her own.
By October, the famine has worsened; activists have confiscated all food from homes and gardens to meet state quotas. Desperate, Katya goes to retrieve a jar of rye flour she had hidden in the hollow of a tree, but finds that it has been taken from its place. She resorts to stealing corn from a collective field, a crime punishable by death. She is caught by Ivan Yarkop, a local boy in the Young Pioneers. Katya slaps him across the face and furiously shames him for betraying his starving neighbors. He lets her go.
A week later, activists arrest the ailing Alina for the theft. Katya learns that Alina, in a moment of clarity, confessed to the crime to protect her sister. Katya runs to the prison house only to find that Alina has been executed and her body put on public display as a warning to other “thieves.” Kolya arrives and physically stops a distraught Katya from confessing and getting herself killed as well.
While gardening with Bobby and Birdie, Cassie takes off her wedding ring for the first time since her husband’s death, feeling it is time to move forward. Later, Nick comes over to continue translating the journal.
During their session, they discover that Bobby’s Ukrainian name is Kateryna, often shortened to Katya. Birdie awakens from her nap and, hearing the name, says that Alina told her about Katya, which startles Cassie and Nick. After the translation session, Nick asks Cassie out to dinner for the following night, and she accepts.
In November 1932, Katya returns from foraging with potatoes, her face bruised and clothes torn. Kolya deduces from her injuries that something happened, but Katya tells him only that she fetched some corn, not revealing what it cost her. Kolya is enraged but feels powerless. That night, Katya records the experience of her assault in her journal, her only solace being her love for Halya.
Kolya learns of a Torgsin store where they can trade valuables for food. He and Katya go to his family’s abandoned farm; Katya waits outside near the old barn site while Kolya goes inside alone and retrieves a few pieces of his mother’s hidden jewelry. The journey to the next town is horrific; the road is lined with frozen corpses of their neighbors, including the Young Pioneer, Ivan, and they are horrified to see a death wagon drop the body of a small child. Near the town, they see guarded, overflowing grain bins and piles of rotting potatoes, realizing the state is intentionally starving them.
At the Torgsin, they witness more death and desperation before trading their heirlooms for a small amount of food. On the way home, they encounter Prokyp the activist, now starving as well. When he begs for help, Katya furiously recounts his cruelty. He turns to come after them slowly on weak legs, and Kolya deals him one swift punch to the ground before they flee.
A fundraising call for the state troopers’ scholarship fund causes Bobby to panic and believe she will be taken to a gulag if she doesn’t pay. Later, Cassie overhears Bobby speaking to her deceased sister, Alina, expressing deep sorrow and guilt. Disturbed, Cassie researches “Ukraine, 1930s” online and discovers the Holodomor, a man-made famine. The horrific images of starvation finally explain Bobby’s food hoarding and terror.
Cassie shares her discovery with her mother, Anna, who is shocked. Anna recalls puzzling details from her childhood, like Bobby’s insistence on never wasting food. She now understands her behavior in the context of trauma responses.
The next day, Cassie asks Nick about the famine. He confirms its details, explaining that the genocide was deliberately covered up by the Soviet Union and denied by journalists such as Walter Duranty of the New York Times, later awarded a Pulitzer for articles refuting the famine. As they translate more of the journal, they read about Alina’s death. Soon after, Birdie sees a photograph of the two sisters and correctly identifies them as Alina and Katya, deepening the mystery of her connection to the past.
By December 1932, Katya’s mother is on her deathbed, her body swollen from starvation. Her dying wish is for Katya to marry Kolya to provide a proper family for Halya. Horrified at the idea of marrying her brother-in-law, Katya only agrees to give her mother peace. Kolya’s initial reaction is that it will be an empty promise since there are no priests left to perform a wedding. Soon after, the goat named Honey, kept at their aunt and uncle’s abandoned farm, is stolen, depriving them of that source of milk.
Weeks later, their cousin Vasyl, a priest they thought had been deported, appears at their door. He recounts his harrowing escape from a Siberian labor camp and warns that the state intends to kill all Ukrainians. He plans to flee to the United States. Upon seeing him, Katya’s mother lucidly insists that Vasyl marry Katya and Kolya immediately, seeing his arrival as divine will. Now unable to argue against the absence of priests, Katya submits to her promise. Kolya, filled with bitterness, agrees that it makes no difference since their hearts are empty anyway. Vasyl performs the ceremony, and Katya feels numb as she is married to her dead sister’s husband.
Nick and Cassie’s collaborative effort transforms the symbolic function of the leatherbound journal from a mysterious heirloom into an active conduit for memory. This process is central to the theme of Preserving Memory to Resist Cultural Erasure. The journal contains a personal testimony against a state-sponsored genocide that was systematically denied and covered up. Nick’s confirmation that Western journalists like Walter Duranty actively refuted the famine’s existence contextualizes Katya’s private act of writing as a form of resistance that continues to have relevance and strength even after she has long escaped the Soviet forces. For Cassie, engaging with the journal is also an act of personal rediscovery; as she runs her hands over her old laptop, she reflects, “She didn’t realize how much she missed them. How much writing was a part of her life” (205). This moment links her own identity as a writer to her grandmother’s, suggesting a shared legacy of using words to make sense of the world and to ensure that the truth, however painful, is not lost. In the same way that living for Alina, Kolya, and Halya gave Katya purpose in the wake of losing both Pavlo and Viktor, living for Bobby gives Cassie purpose in the wake of losing Henry, as well as, in the near future, Bobby herself.
Cassie’s online search for the Holodomor marks the moment when the family’s private pain is contextualized within a massive, public atrocity. The horrific images of the Holodomor provide an intellectual framework for what had previously been inexplicable behaviors, illustrating The Intergenerational Transmission of Trauma. Because neither Cassie nor Anna could see the events that Bobby lived through, they dismissed her experience and her behavior as peculiarities of her age. Within this narrative, the Internet becomes a powerful unprecedented tool for exposing the younger generations to a truth that happened long before either of them were born. Bobby’s hoarding of food and her terror-filled flashback during a fundraising call become direct symptoms of deep-seated trauma. The novel contrasts Katya’s lived experience of starvation with Cassie’s mediated discovery of it through a computer screen, showing the chasm between generations. This gap is mysteriously bridged by Birdie, who knows Katya and Alina’s names and identities without being told, suggesting that the trauma is so deep it manifests almost supernaturally in the youngest generation, a haunting that everyday logic cannot easily explain.
While Cassie takes tentative steps toward Rebuilding Life After Loss in the present, Katya is forced into a grim parody of it in the past. Cassie’s decision to remove her wedding ring for the first time since Henry’s death is a quiet but significant act of personal agency, a choice to move forward. Her budding relationship with Nick shows a future built on mutual affection and healing. This hopeful narrative is contrasted with Katya’s forced marriage to Kolya. The union is less a choice than it is a grim fulfillment of her dying mother’s wish, a desperate measure to secure a future for Halya. Kolya’s bitter acceptance emphasizes the emotional devastation that precedes their vows, while also characterizing their dynamic as dispassionate and full of emotional challenges in its own right: “Neither of us have anything left in our hearts, anyway” (287). Whereas Cassie’s path forward involves opening her heart again, Katya’s involves sealing it off. Their marriage, performed under the weight of immense grief and obligation, demonstrates that for some survivors, rebuilding is about sacrificing personal desire for the sake of the next generation.
The journey to the Torgsin store demonstrates how the state-manufactured famine systematically dismantles social bonds and conventional morality. The sight of guarded, overflowing grain bins and rotting potatoes reveals the Holodomor as a deliberate political weapon, confirming Kolya’s horrified realization: “They want us all dead” (254). The image of the abandoned food is juxtaposed against a road littered with the frozen corpses of their neighbors. For Katya, Kolya, and Halya, survival becomes a brutal, isolating endeavor. The desperation erodes empathy, as seen when people in line for food immediately rifle through the pockets of a woman who has just died. Katya’s initial repulsion followed by the angry thought that she should have taken the woman’s voucher for Halya shows her own moral compass shifting under duress. Her violent confrontation with the starving activist Prokyp, whom Kolya punches to the ground, is a comeuppance for a character who wrongly assumed that collaborating with the oppressor would spare him from the worst of their punishments. The gravest violation occurs when an activist assaults Katya, an act she endures to secure a few potatoes, reducing her body and autonomy to commodities in a desperate transaction for food. This sequence reveals that the ultimate goal of the terror-famine is to dehumanize, forcing the survivors of the first wave of violence to make impossible choices that fracture their very sense of self.



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