The Starving Saints: A Dark Medieval Tale of Survival, Divine Intervention, and Unraveling Mysteries Amidst a Castle's Descent into Madness

Caitlin Starling

The Starving Saints: A Dark Medieval Tale of Survival, Divine Intervention, and Unraveling Mysteries Amidst a Castle's Descent into Madness

Caitlin Starling
60 pages2-hour read
Fiction
Novel
Adult
Published in 2025

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Chapters 1-10Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, illness, death, and animal death.

Chapter 1 Summary

Aymar Castle has been under siege for six months and supplies are dwindling. Fifteen days of food remain; the fortress holds nearly 900 people. The Castle is besieged by enemy forces from the kingdom of Etrebia. Phosyne has been charged with using magic to provide nourishment but her experiments (attempting to transport food through stone, accelerate seed germination, propagate plants) have all failed; her sole success is having purified the castle’s fouled water supply. Phosyne secretly shares her meager stores of food with two magical serpentine creatures, Ornuo and Pneio.


King Cardimir confronts Phosyne about her lack of progress. He reports that Prioress Jacynde’s Order has declared it impossible to create food from nothing. A mob forming around the kitchen garden interrupts them; from the window Phosyne watches a female knight, Ser Voyne, draw her sword to disperse the crowd. Cardimir assigns Voyne as Phosyne’s minder, hoping that strict supervision will speed her progress in the quest of making food appear.

Chapter 2 Summary

Immediately after the riot at the kitchen garden, Ser Voyne (a war hero who is now a knight in the king’s guard) attends a council debate about what to do next. She feels increasingly hopeless about the fate of the Castle and its inhabitants. Various advisors to King Cardimir present their differing points of view; Ser Leodegardis proposes sending a messenger out of the castle in hopes of securing more supplies from the capital. Other messengers have been sent but none have returned, and no one knows what befell them. Prioress Jacynde suggests that earlier messengers may have reached the capital successfully but that Aymar has been deemed not worth rescuing, triggering uproar. 


Later, alone with Leodegardis, Voyne asks to be sent out as a messenger he refuses. Voyne attends a religious service honoring the Constant Lady (the deity of the kingdom). Afterward, Cardimir tells her that she will oversee Phosyne’s project of conjuring food. He reveals Phosyne was the one who purified the castle’s water source a month earlier (saving the lives of everyone under siege). Voyne is surprised to hear this because the official story is that Prioress Jacynde and her nuns were responsible for purifying the water. No one trusts Phyosyne (who is considered a “heretic” for unstated reasons) and yet she is now their last hope. Voyne reluctantly accepts her new duty.

Chapter 3 Summary

Elsewhere in the besieged castle, a young woman named Treila catches rats and sells them as food. She maintains a secret food cache that will last her for a month. Later, as she listens to two boys gossiping about the riot and discussing Ser Voyne, Treila has a strong reaction. There is unspecified history between her and Voyne and Treila reflects that Voyne has not yet recognized her (implying the two know one another). Treila hears about the possibility of a messenger being sent out of the castle and wishes she could take on that role but concludes that it is safer to stay. 


Later, unable to sleep, Treila returns to her workroom. She detects an unusual smell of damp stone and water, investigates loose flagstones at the base of a wall, and finds crumbling mortar. By dawn, she has worked open a small hole.

Chapter 4 Summary

The following day, Phosyne experiments unsuccessfully with regenerating a rotten piece of meat. She is comforted by the presence of Ornuo and Pneio, two magical creatures that she hides in her room and who function as pets and companions for her. Ser Voyne arrives and follows Phosyne upstairs, regarding the disordered workspace with contempt. Phosyne argues her work proceeds better unobserved; Voyne demands an account of progress and discovers the rotted meat. Phosyne explains her reasoning for the experiment; Voyne dismisses it as nonsense and calls her a waste of resources. When pressed to explain the water purification method, Phosyne cannot articulate it in systematic terms. Their argument escalates until they are distracted by the realization that the castle is under attack.

Chapter 5 Summary

Voyne drags a protesting Phosyne to the castle’s lowest level for protection. She goes for her armor and finds Cardimir at his window, directing her attention to the castle walls, where Priory nuns are operating small catapults. The weapons launch projectiles that burst into flames on contact with the enemy’s siege engines, and most shots find their mark. The engines collapse one by one, and the expected assault on the gates never materializes. Cardimir, vindicated, reiterates that his plan for Phosyne to magically produce food is a viable hope. 


With the attack staved off, Voyne goes to help Leodegardis and the others clear debris and tend to the wounded. She catches sight of Phosyne running erratically, seemingly in pursuit of something. Voyne chases her, tackling Phosyne in the smithy yard just as the unseen thing she was chasing (one of Phosyne’s magical pets, which are not visible to anyone else) collides with and ignites the nearby charcoal pile. While Voyne frantically uses a shovel to move the coals and prevent a fire, Phosyne plunges her bare hands into the pile (hinting at magical or supernatural abilities). Leodegardis and Galleren arrive and stamp out the fire. Voyne angrily confronts Phosyne, pointing out the danger she has caused. Phosyne announces she has an idea for a miracle.

Chapter 6 Summary

The next day, Treila reflects on the nature of grief and loss as the castle mourns those who died in the attack. Years earlier, King Cardimir declared her father, Lord de Batrolin, a traitor, and Ser Voyne executed him. Treila was expelled from her home, lost her wealth and title, and survived alone in the wilderness before making her way to Aymar. Days pass, and Treila secretly continues her project of removing stones and widening the tunnel (creating the possibility of an escape route out of the castle). A messenger is sent out to plead for help, after which Leodegardis quietly slaughters the remaining dogs for meat.


After four days, the tunnel is wide enough for Treila to attempt to enter it. She briefly hesitates because leaving the castle will mean abandoning her project of securing revenge on Voyne. She crawls slowly through the narrow tunnel, emerging in an underground cavern containing a water source. A narrow fissure in the rock wall lets in outside air but is too small to exit through. When Treila presses her face to it, a voice whispers, asking if she is lost.

Chapter 7 Summary

Voyne supervises Phosyne constantly, as the latter struggles to work. Three days after the attack, while Voyne is briefly absent, Prioress Jacynde visits. The atmosphere is tense between the two women since Phosyne was once Jacynde’s subordinate but rebelled against her authority and religious dictates. Jacynde is also threatened by Phosyne’s magical abilities and success with purifying the water source: “[I]f Phosyne can [create food], it will not be by the Priory’s alchemy, and it will be, incontrovertibly, magic” (50). Jacynde states that the Priory will not give Phosyne any more supplies, creating a time constraint on Phosyne’s ability to continue experimenting. After Jacynde leaves, Phosyne contemplates a new strategy: Rather than producing food from nothing, she will find a way for people to be sustained by nothing.

Chapter 8 Summary

Five days after the bombardment, Voyne reflects that Phosyne is running out of time and will soon have to concede failure and stop experimenting. Voyne is relieved by the prospect of no longer having to guard her. Voyne attends a religious service which turns out to be a funeral for one more victim of the bombardment. After the ceremony, only Voyne, Cardimir, Leodegardis, and Jacynde remain with the body. Jacynde produces a knife; Leodegardis begins dismembering the corpse. Voyne, realizing they intend to feed the flesh to the castle’s inhabitants without their knowledge, tries to stop it, arguing that the horses have not yet been slaughtered and that this is a line they cannot uncross. The king overrules her: His people must eat, and they need not know the source. 


When Voyne continues to object, Cardimir berates her and Phosyne for not yet having produced a miracle that would prevent them from resorting to cannibalism. Defeated, Voyne kneels and steps back.

Chapter 9 Summary

Treila is terrified by the mysterious voice. She retreats back through the tunnel. Back in the castle, she sees Cardimir, Leodegardis, and Jacynde emerge from the chapel with a visibly devastated Ser Voyne trailing behind. Hoping to exploit Voyne’s vulnerability as part of her plan for revenge, Treila follows Voyne into the kitchen garden where she offers food and water. Since Treila prevents Voyne from seeing her face, Voyne assumes Treila is a servant and gradually confides her despair: Help does not seem to be coming to the castle. 


Treila allows her face to become partially visible, revealing her features and the scar beside her ear. Voyne asks if she knows her. Treila flees, knowing Voyne’s duties will keep her from following.

Chapter 10 Summary

Phosyne is becoming ill and Voyne urges her to eat, offering her usual ration of meat, plus a piece of honeycomb. Honey has been forbidden to Phosyne since her break with the Priory. When Phosyne hesitates, Voyne insists and confirms she has seen men die from exactly this kind of nutritional deficiency. Voyne admits to feeling broken by recent events and mentions a chance encounter the day before with a starving, ghostlike figure who offered to share food with her. Then she goes cold again and pushes the plate forward. Phosyne picks up the honeycomb and prepares to eat it but is cut short by the sound of a commotion.

Chapters 1-10 Analysis

The Starving Saints is set in a magical world that draws on some aspects of European medieval history; the tendency for fantasy literature to draw heavily on Anglo-Saxon, Norse, and Arthurian mythology and history can be traced back to the writings of J. R. R. Tolkien (who was an academic specializing in medieval literature and history). Other popular fantasy series, such as the Game of Thrones series, likewise incorporate allusions to historical events and daily medieval life alongside magic and supernatural occurrences. In Aymar Castle, the presence of a king, a military conflict between kingdoms, and knights reflects a pseudo-medieval setting. A knight was a vassal who served as an elite fighter or a bodyguard for a lord; “Sir” was the traditional honorific form bestowed on a knight, which Caitlin Starling transmutes into a gender-neutral honorific “Ser.”


The presence of Voyne and Leodegardis as knights bound by pledges of fealty and loyalty also alludes to the tradition of chivalry. Chivalry refers to a broad and fluid code of conduct developed primarily in France in the 12th century and then further refined and disseminated via medieval legends and literary texts, including Geoffrey of Monmouth’s text The History of the Kings of Britain (which popularized the legend of King Arthur and his court). While a complex philosophical concept (and one that was not always embodied in actual life) chivalry was viewed as an extension of Christian duty, including protecting the vulnerable, faithfully serving one’s lord and occasionally devoted service to a beloved and idealized lady (sometimes known as “courtly love”).


Voyne is initially positioned as both the archetypal heroic knight, and a more complex character. Her position as bodyguard to the king limits her ability to engage in the martial valor that established her reputation and the siege keeps her even more confined and restricted. Being named “minder” to Phosyne is initially a frustrating assignment that seems unworthy of her powers and intelligence. Voyne’s characterization as an individual with frustrated ambitions sets the stage for her to be subsequently seduced and manipulated by the Lady. Initially, however, Voyne operates from a position of strong moral principle: when she witnesses King Cardimir and other high-ranking individuals preparing to serve human flesh to the unwitting inhabitants of the castle, Voyne challenges them. While she and many other warriors have previously resorted to cannibalism during wartime conditions, she does not think the current situation merits this drastic act. The detail that the castle leadership is already engaging in cannibalism before the Lady and the saints arrive introduces the novel’s exploration of failed leadership and moral compromise during a crisis. This scene establishes the theme of The Perversion of Duty and Loyalty since Voyne’s devotion and loyalty to the king is already rendering her complicit in moral outrages.


The novel also draws on Catholic traditions and imagery that would have been dominant in most of Europe prior to the Protestant reformationsin the 16th century. In Catholic tradition, a Priory refers to an order of religious devotees who have taken vows and largely retreated from secular life to devote themselves to religious life, prayer, and contemplation; a Prior or Prioress is the head of this religious order. The monks and nuns who lived in priories or other religious orders were an important feature of medieval life; for example, a Prioress is included as one of the pilgrims in Geoffrey Chaucer’s 14th-century work of literature, The Canterbury Tales. By rendering Prioress Jacynde as a powerful and influential member of Cardimir’s court, Starling nods to the historical reality that some nuns and monks (especially high-ranking leaders of ecclesiastical orders) could wield significant power and influence.


Similar to the reconfiguration of knighthood as a gender-neutral category, Starling crafts a world where a female deity (the Constant Lady) is the central object of worship. The presence of saints further alludes to Catholic tradition, where saints were widely venerated (although treated as divine intercessors, not actual deities) as does religious rituals in which honey is consumed as a kind of sacrament (echoing the Christian tradition of Holy Communion, in which bread and wine are ritually consumed by adherents as a way of invoking the body and blood of Jesus Christ). When Phosyne is prohibited from consuming honey after her break with the Priory, this prohibition echoes the ritual of excommunication (in which an individual is censured by a religious order by being barred from participating in religious rituals, such as receiving communion).


Phosyne’s label as a “heretic” and someone who has been excommunicated from a powerful religious order positions her as a freethinker and renegade. Martin Luther (the theologian who largely gave rise to the Protestant Reformation) and King Henry VIII (who established the Anglican church in England) were both labelled heretics and excommunicated for the challenges they posed to the established Catholic church and its doctrine. Galileo Galilei (an astronomer and scientist who advocated for Earth and the other planets orbiting the Sun) was put on trial for his scientific theories, accused of heresy, and forced to recant. The suspicion with which Phosyne is regarded reflects how she challenges the established order and also reflects the dangers historically faced by women who seemed to wield inexplicable power.


In many European regions (and eventually in European colonies such as Salem, Massachusetts), women accused of witchcraft existed in some way outside of religious or societal norms: possibly because they possessed abilities such as healing or herbalism, or lived alone. Phosyne’s isolation, practice of magic, and the presence of her two pet creatures (alluding to the tradition of a witch’s familiars) position her as walking a thin line between being revered as a miracle worker and branded a witch. Although Starling reimagines a religious tradition centered on female worship and powerful women, that doesn’t mean that a woman who wields power (like Phosyne) does so without risk.


The opening chapters establish a philosophical dichotomy between intuitive esoteric knowledge and rigid institutional orthodoxy, accelerated by the claustrophobic pressures of a prolonged siege. Phosyne’s experiments directly opposes the Priory’s dogmatic worldview, which insists “that matter cannot be transformed, that something cannot be brought forth from nothing” (5). The Priory relies on mechanical engineering and established principles while Phosyne attempts to bridge decay and growth. Her methodology is chaotic, heretical, and entirely defiant of religious mandates for measurement and replication. Interestingly (and counter to the historical record of the Church regularly censuring scientists such as Galileo, Copernicus, and Darwin), the Priory aligns itself with values of logic, order, and a need for clear evidence and explanation, while Phosyne embodies intuition and instinct. By positioning Phosyne’s inexplicable success with the castle’s water purification against the Priory’s inability to produce food, the narrative suggests that survival demands flexibility and new ways of thinking rather than reliance on dogma. The novel’s initial set-up introduces the theme of Unquestioning Faith Rendering Individuals Vulnerable to Exploitation: Rigid adherence to social and religious norms have left the population of the castle desperate and unable to think for themselves, setting the stage for the ominous arrival of the saints.

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