A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summaries & Analyses
Quizzes
Reading Tools
Content Warning: This section of the guide includes discussion of death and graphic violence.
As Voyne watches Phosyne eat the honey, she is surprised by the sound of trumpets and rushes to a window to look outside. She sees people gathering in the courtyard and hurries outside. In the courtyard, King Cardimir and Ser Leodegardis stand staring in wonder at four strangers. Voyne also catches sight of Treila, recognizing her this time, but is too distracted to do anything. Everyone is confused as to how the strangers entered the castle, and who they are. Their leader is a tall woman with gold paint across her cheeks and lips; her three companions are equally unearthly. When the woman turns, Voyne sees she has multicolored irises, identical to the castle’s painted icon of the Constant Lady. She drops to her knees. The Lady touches Voyne’s face, and Voyne weeps openly.
Treila, along with the rest of the crowd, watches as Ser Voyne kneels and weeps in front of the strangers. She returns to the castle, noting that everyone seems to see the arrival of the four strangers as a sign of salvation, although nothing has really changed. She watches from the ramparts as Voyne and the king lead the strangers inside. Later, Treila enters the chapel; she hides when Prioress Jacynde storms in accompanied by a nun. Unseen, Treila overhears the Prioress’s anger at the king’s party for accepting the strangers without questioning them. Everyone seems to be treating the arrival of the strangers as a miracle, but the Prioress is suspicious. The prioress’s skepticism alarms Treila and she resolves to escape from the castle (abandoning her plans of revenge on Voyne).
Phosyne, still ill, doesn’t know what has happened in the period since Voyne left her. She descends from her room to investigate and through a window of the great hall she sees Cardimir, Leodegardis, a visibly shaken Voyne, and the four strangers. She recognizes the guests immediately as living embodiments of the deities depicted in the chapel: the Warding Saint, the Absolving Saint, the Loving Saint, and the Constant Lady herself. Phosyne is also stunned to see the people in the hall feasting on fresh vegetables (she assumes the strangers have brought these).
Troubled and confused, Phosyne wanders around until she overhears some guards gossiping about the strange events. The guards confirm that no one has opened the gates and there is thus no explanation for how the four strangers got inside. As she heads toward her room, Phosyne concludes the strangers must have entered through some magical force. Connecting this to how her own creatures Pneio and Ornuo magically appeared, she wonders if she may have somehow conjured the saints herself.
Voyne sits dazed in the great hall with the king, Leodegardis and the strangers. The Prioress has refused to join them, despite having been summoned several times. Everyone gorges themselves on the fresh food that has magically appeared. Eventually, Prioress Jacynde arrives in full ceremonial dress and confronts the Lady (the leader of the four strangers) directly, pointing out that the food is months out of season. Jacynde insists the visitor is not the deity she serves. Voyne realizes that given the wartime conditions, Jacynde is likely right to be suspicious.
The Lady calmly tells Prioress Jacynde that she may simply be mistaken about her religious beliefs, asking, “Does it frighten you so much, that you might have been wrong?” (88). Two of the Lady’s companions hold the Prioress still as the Lady pours sweetened wine into her mouth. Alarmed, Voyne seizes a knife and lunges, but the Warding Saint intercepts. He gazes into Voyne’s eyes, inducing a trance-like state and subduing her. Disoriented, she finds the Lady standing over as she kneels in submission. The Lady speaks seductively to Voyne, playing on her desires to be more active. She offers to make Voyne her champion and set her loose upon the world. Although some part of her mind has misgivings, Voyne accepts.
Phosyne collapses while trying to make her way back to her room. Treila finds her and offers dried fruit in exchange for something to help widen the crack she detected in the underground grotto (hoping to escape if she can pass through the stones). Phosyne agrees to help her and Treila gives her some fruit and helps Phosyne to walk. In Phosyne’s rooms, she shows Treila how to use a candle that will burn without ever running out. She tells Treila to take the candle with her and go back to the grotto to inspect the crack more closely: “Take this down, look more closely at everything, and maybe you’ll find a way out you missed. If not, find a way to get to me again. I’ll keep thinking” (98).
The two exchange names for the first time. Phosyne warns Treila to stay away from the newly arrived strangers; Treila says that is precisely her reason for wanting out.
Treila wriggles into the tunnel with the burning candle and emerges into an underground grotto. She inspects the crack in the stone more closely with the light she cannot pass. She douses the candle in the water and rests her head against the wall in despair. A voice from the crack whispers that it has missed her. A young, boyish voice offers to guide her to freedom in exchange for a touch. Treila slides a finger into the gap and feels teeth and a tongue close around it; she wrenches free and loses a strip of skin. The voice demands one complete finger as the price of passage. Recognizing that no human would ask for such a thing, Treila jams the candle into the crack and retreats, leaving it wedged in the stone.
The next morning, Phosyne looks out her window where the four strange guests have gathered along with the king and many residents of the castle (including Voyne). She is surprised when King Cardimir announces that there will be a lavish feast for everyone that evening; Phosyne is suspicious of the strange guests and wonders why everyone is acting as though they are saved, when the castle remains under siege. Her unease increases when she hears a knock on her door but finds no one outside.
As Phosyne investigates downstairs, she runs into a young nun who begs her to help the prioress. The nun leads her to the observatory roof, where Prioress Jacynde sits catatonic, her tongue cut out at the root. Phosyne hauls Jacynde toward the stairs; the nun reappears and Phosyne instructs her to take the prioress somewhere safe and tend to her injuries. The nun explains that the Prioress joined the feast the previous night and then ascended to the observatory alone. After the nun drags the Prioress away, Phosyne briefly passes out. She awakens and enters the chapel alone.
In the chapel, she finds Voyne standing guard in a vacant trance, her irises marked by a painted-looking ring of color. After failing to rouse Voyne, Phosyne deliberately provokes her; Voyne regains her senses and reacts violently, pinning Phosyne to the wall. Smelling blood on Voyne, Phosyne guesses that the knight might be responsible for Prioress Jacynde’s mutilation. Panicking, Phosyne magically and involuntarily passes through the solid stone wall onto the exterior walkway. She hears Voyne sobbing on the other side and runs.
Treila searches the castle for Phosyne and spots her stumbling from the chapel. She rushes to help Phosyne, trying to calm her down. Trying to figure out why Phosyne is so terrified, Treila catches sight of Voyne approaching them with blood-covered hands. Phosyne flees but Treila remains fixed in place as Voyne approaches.
To Treila’s surprise, Voyne treats her gently, causing Treila to freeze. With Voyne kneeling at her feet, Treila finds herself unable to lash out. She asks if Voyne has ever questioned the orders she is duty-bound to obey, and Voyne implies that she is unhappy with how King Cardimir treats her: “I have followed every order he has given me, even when it conflicts with what is best in me, with where my strength arises from. I thought that he knew best, but he has led me astray” (124). Treila feels relief and satisfaction that Voyne seems to be admitting she was wrong to abandon Treila.
The Constant Lady appears at the garden entrance, staring at Treila with fury. Voyne, who has apparently confused Treila for the Lady throughout their exchange, immediately goes to her. The Lady places a humming skep on Voyne’s head and kisses her. Treila watches, humiliated, as the Lady leaves with Voyne following devotedly. She resolves to find Phosyne and return to her plan of escaping from the castle through the crack in the stone of the grotto. As she leaves, she observes the Loving Saint planting seeds that sprout almost instantly—including something that looks exactly like a human fingernail.
Back in her tower, Phosyne discovers Ornuo and Pneio are gone and her room shows signs of intrusion. Treila arrives, visibly shaken, and reports what happened in the grotto. She pleads with Phosyne to help her escape. Phosyne struggles to explain that she cannot actively control her powers: “It’s not a matter of resources. I’ve already been given everything, don’t you see? It either happens or it doesn’t, with barely even intent behind it” (131). Eventually, Phosyne explains about the appearance of the two creatures and of the mysterious guests. She also admits to having involuntarily passed through solid stone (while Voyne was attacking her). Rather than being frightened, Treila is immediately energized and declares that Phosyne is coming to the tunnel immediately.
Voyne wanders through the castle in a daze, unable to think clearly. She happens upon Phosyne and Treila and seizes the former, dimly recalling that she has been charged with minding her. Treila flees. Voyne takes Phosyne to a feast where everyone has gathered, including the Lady (the leader of the guests). The Lady is intrigued by Phosyne, even though the latter does not demonstrate respect. Voyne forces Phosyne to sit next to her at the feast. The Lady grants the crowd permission to eat, and everyone descends on the food ravenously.
Phosyne pleads with Voyne to let her leave the feast. The Lady prompts Voyne to first drink water and then to eat some meat; the water induces mental clarity and memory in Voyne, but the meat returns her to a state of confusion and hazy obedience to the Lady. Phosyne watches, noticing these changes. When a platter of meat is served, Phosyne recognizes it as human flesh and pleads with Voyne not to eat, but the latter, enthralled, obeys the Lady. The Lady orders Voyne to force-feed Phosyne, but Phosyne bites her finger and bolts. The Lady urges Voyne to stay, but recognition of what she has been eating—combined with the knowledge that she is supposed to be saving the castle—finally breaks through the Lady’s influence. Voyne pulls free and races after Phosyne.
The inexplicable appearance of four individuals who resemble religious icons becomes a source of conflict amongst the inhabitants of the castle. Many greet this strange occurrence as a miracle, primed by their desperate and precarious state to embrace the Lady and her companions as a source of salvation. This subversion illustrates how predatory powers can hijack the infrastructure of institutional devotion, wearing the visual markers of divinity to bypass rational defenses and consume a vulnerable, desperate populace. Others, however, are much more suspicious. Treila, Phosyne, and Prioress Jacynde are all wary, and their skeptical response reveals the theme of The Value of Agency and Core Identity. All three women are resilient, keenly intelligent, and assertive, which makes them less susceptible to meek submission. Instead, in different ways, they engage in critiques and rejection of what quickly becomes accepted dogma in the castle: that the Lady is benevolent and should be embraced as a savior.
Treila lacks any explicit, external power, but has access to the secret tunnel and the potential of bargaining with the creature who guards the crevice. The presence of secret, subterranean features within the castle echoes traditional Gothic tropes; this subterranean architecture often alludes to memories, secrets, and the repressed past. Treila’s mind is full of secrets, trauma, and her desire for revenge, and her knowledge of the secrets embedded in the castle walls parallels this. Jacynde’s status as an influential leader both empowers and endangers her: She openly speaks out against the Lady. As a result, Jacynde’s tongue is cut out, literally silencing her and preventing her from challenging the Lady’s growing power. The removal of the tongue echoes the myth of Philomena (captured in Ovid’s Metamorphoses), wherein a young woman’s tongue is removed to prevent her from speaking out about having been raped by a king. While the silencing is enacted in Starling’s novel by another woman, the grotesque act alludes to societal tendencies to silence non-conforming voices or those who challenge individuals in positions of power.
Voyne, interestingly, is the character who quickly falls under the Lady’s sway. When the Lady arrives, Treila and Phosyne both have personal projects to which they are deeply committed: Phosyne works on her magic and Treila plots to achieve her goal of revenge. Jacynde, for her part, draws a sense of purpose from her authority and leadership role. Voyne, however, lacks any true purpose or ambition, and this leaves her vulnerable. The psychological manipulation of Ser Voyne deepens the theme of The Perversion of Duty and Loyalty, demonstrating how unfulfilled ambitions create vulnerabilities that malevolent forces easily exploit. Frustrated by her diminished role as an ornamental guard for King Cardimir, Voyne is targeted by the False Lady, who offers the knight the meaningful service she craves. The Lady exploits Voyne’s wasted potential, promising, “Only say that you will be my champion, and I will loose you upon the world” (89).
Seduced by this offer of purpose, Voyne willingly transfers her allegiance, engaging in a perverse form of chivalry when she pledges her loyalty to the Lady. Under this bewitchment, Voyne acts as the Lady’s enforcer, attempting to force-feed Phosyne the roasted human flesh and mutilating Jacynde on the Lady’s order. Voyne’s absolute dedication to duty lacks an independent moral compass, making her susceptible to any authority that recognizes her utility. The Lady does not need to break Voyne’s loyalty; she merely redirects it, twisting the knight’s noble desire to serve into an instrument of compulsion. Voyne’s secret disappointment with the previous leader also leaves her vulnerable to transferring her loyalties too quickly.
When the Lady and the saints arrive at Aymar Castle, the population therein is starving and desperate. The Lady’s rapid rise to power reveals how vulnerabilities can be manipulated and render populations complicit in their own exploitation when they side with despotic leaders. When individuals consume the food proffered by the Lady and her attendants, they become bound by her enchantment. There is thus some opportunity to refuse to submit; characters like Phosyne and Treila quickly deduce the importance of not eating anything. However, most individuals are unable to hold back from stuffing themselves with magical food and are unable to see that they are consuming human flesh. These macabre scenes of consumption reveal how greed, exploitation and selfishness lead to societal corruption: Individuals prioritize their own needs and become unable to see the connection between their greed and what it costs others.
Cannibalism is taboo in many societies, and the novel’s depictions of feasting on human flesh reveal societal collapse as norms disintegrate. The consumption of human flesh also intertwines with the novel’s exploration of religious doctrines: Catholic dogma specifies that when adherents consume bread and wine during Holy Communion, what they are consuming (according to the doctrine of transubstantiation) is literally the flesh and blood of Christ. Debate about this doctrine has been a source of tension between various Christian sects but in medieval, pre-Reformation societies, this doctrine would have been predominant. The cannibalism on display in the novel is thus simultaneously a depiction of the breakdown of social order and a critique of the norms endorsed by that same order. The slippery slope between cannibalism and Holy Communion reflects the theme of Unquestioning Faith Rendering Individuals Vulnerable to Exploitation, since previous religious sacraments and consuming whatever religious authorities tell them to consume has primed the castle populace for the grotesque rites that ensue.



Unlock all 60 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.