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Content Warning: This section of the guide includes discussion of graphic violence and death.
In Caitlin Starling’s The Starving Saints, the desperate prayers of a besieged castle are answered not by salvation but by a monstrous perversion of divinity. The arrival of the saints, who mirror the castle’s holy icons, transforms faith from a source of order and hope into a mechanism for exploitation. The novel argues that belief systems, when untethered from morality and embodied by a predatory power, provide the perfect disguise for monstrous appetites. By mimicking the form of the divine, the saints hijack the structures of worship and render the inhabitants of the castle vulnerable to being deceived and manipulated. However, not everyone succumbs to the deceptions embodied by the mysterious and sinister individuals, and those who think skeptically and critically are less vulnerable.
The saints’ power derives from their perfect imitation of Aymar’s existing religious figures. When they appear, many people immediately accept them because they are living reflections of the icons paraded around the castle walls. The False Lady’s appearance, with skin “pure white except for where dandelion-gold stains her flesh” (74), directly mirrors the Priory’s revered statue. This visual mimicry allows the saints to bypass skepticism and access the deep well of faith cultivated by the Priory. Moreover, the Lady and her saints arrive at a moment when the inhabitants of the castle are primed and desperate. By arriving at a critical moment and offering food to the starving, they have an even easier time tricking and coercing individuals whose faith has prepared them to unquestioningly accept a miracle.
Some individuals, such as Treila and Phosyne, remain skeptical of the saints. Their cautious and suspicious responses are shaped by their previous experiences: Treila has suffered deep betrayal and no longer trusts anyone except herself and Phosyne has a legacy of challenging canonical norms and modes of belief (leading to her being branded a “heretic”). Interestingly, Prioress Jacynde (who might be expected to embody religious subservience) challenges the authority of the saints and the sway they exert over the residents of the Castle. She confronts the False Lady, questioning the miraculous appearance of out-of-season food by asking, “Whose fields? Whose hands?” (86). Later, Phosyne discovers that Jacynde’s tongue has been cut out, a brutal and symbolic act that silences her dissent and critique. By mutilating and incapacitating the head of the Priory, the saints demonstrate that their power does not tolerate rivals; it consumes and destroys all other forms of spiritual authority. Jacynde’s character reveals that religious faith is not necessarily good or bad, but that any form of unquestioning acceptance of unchallenged authority is dangerous and can transform a community of believers into both victims and perpetrators of violence.
Duty and loyalty are the central pillars of the social order in Aymar Castle, yet The Starving Saints interrogates these virtues by demonstrating how they can be twisted into instruments of horror. For characters like the knights Ser Voyne and Ser Leodegardis, fealty is the bedrock of their identity. However, the novel argues that an overactive sense of moral obligation, especially when guided by ego and a compulsion to be needed, can lead to unnecessary self-sacrifice and enmeshment.
Ser Voyne’s character arc illustrates how ego and ambition can become intertwined with a convoluted sense of duty and obligation. A celebrated war hero, Voyne has been kept “useless on a leash for two years” by King Cardimir (12), reduced to an ornamental guard. Her frustration and yearning for a meaningful purpose make her susceptible to the False Lady’s influence. The Lady recognizes Voyne’s wasted potential, telling her, “I would cultivate you […] Only say that you will be my champion, and I will loose you upon the world” (89). The Lady offers Voyne not just a master to serve, but a purpose that matches her abilities. This offer successfully transfers Voyne’s fealty, demonstrating that aimlessness can create a vacuum where any sense of purpose and duty comes to seem legitimate.
While Voyne’s character arc explores the tension between duty and self-preservation, Ser Leodegardis represents the tragic endpoint of duty pushed to its absolute extreme. As the lord of Aymar, his loyalty is to his people, and he is willing to do anything to ensure their survival. This noble commitment leads him first to secretly sanction the butchering of the dead for food and later to sacrifice his own arm and leg to be served at the feast. He sees these acts not as atrocities but as necessary sacrifices, telling Voyne, “how can I regret feeding my people?” (207). Leodegardis presents his act as selfless, but it is both a waste of his life and a perversion of true care and safe-guarding. The people who consume him don’t genuinely benefit from doing so and are in fact further corrupted.
The character arcs of the three main protagonists all involve negotiating the balance between strength and ego: Treila must reckon with her desire for revenge, while Phosyne balances her hunger for power and Voyne learns how to serve without self-abnegation. Because Voyne risks defining herself by obedience and serving unworthy individuals, her choice to take Phosyne’s dominion at the end of the novel redefines duty, moving it from an external obligation to an internal, moral mandate.
In the claustrophobic world of Aymar Castle, the boundaries of the physical body and the individual self prove terrifyingly fragile. Visceral motifs of cannibalism and dismemberment provide a physical manifestation of the true threat: the dissolution of the inner self. The enchantment wielded by the Lady threatens to lead to the loss of individual agency, memory, and selfhood. However, when characters choose (or are helped to choose) to value themselves and their inner worth, they retain the power to defeat the forces of dark magic.
Treila and Phosyne both martial their sense of identity and self-worth to achieve victory during climactic confrontations. In her final battle with the Loving Saint, Treila has a mystical vision which contrasts his inner self with her own: “In his chest is a snarled thicket of a stomach, hungry, aching, desperate. And inside of her is a prism, a flashing diamond: heavy and unmoving, the result of every time she refused to abandon herself, no matter the guise she chose to wear” (298). Treila’s recognition of her inner worth empowers her to tear out the Loving Saint’s throat with her teeth: Her inner power is so profound that she does not need any iron weapons to help her. This act will later allow Phosyne and Voyne to deduce that it is possible to kill the Lady and Saints without the aid of iron, empowering them to continue fighting. This realization reflects the novel’s argument that true strength comes from self-respect and self-acceptance. When Treila embraces all parts of who she is (including the suffering she has endured), she becomes extremely powerful.
This same tapping of inner power subsequently becomes key to Phosyne healing Treila’s wound and to Phosyne trapping the Lady in the cistern of boiling water. As Phosyne debates whether to feed Treila the enchanted apple (which will heal her but also rob her of her agency and individual identity), she notices that “[s]he can see something shining, buried in the meat of [Treila]. A solid, ringing core. Something Phosyne lacks, Voyne lacks, they all are missing” (324). The shining inner core literalizes Treila’s agency and belief in her own value: She has endured immense suffering and her resilience has given her inner strength.
Later, the Lady evokes Phosyne’s name in an attempt to subdue her, but Phosyne is able to resist the force of enchantment when she realizes that “Phosyne is only one name she has borne […] She has been through so many. She has abandoned two of them” (328). In this scene, names function as a placeholder for external (but not defining) signifiers of identity. Phosyne can choose different names, but they do not capture or control her core inner self. Once she realizes that her true self cannot be controlled by anyone else, Phosyne is able to tap into her true power and fight back much more successfully. While many characters yield to the Lady’s attempts at control and manipulation, the protagonists break free from her power when they tap into their own.



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