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Rachel Van Dyken is a best-selling author known for her work in high-stakes romance subgenres, particularly mafia romance. Her extensive backlist, including series like Eagle Elite and A Very Mafia Christmas (5), demonstrates a long-standing focus on intense power dynamics, warring families, and forbidden attractions. This authorial background directly informs the narrative structure of Fallen Gods, where Odin’s tyrannical control over his family mirrors the role of a mafia boss. His command to Rey to “Remove anyone who stands in your way. Destroy them all for what they took from us” (16) exemplifies the life-or-death stakes and ruthless loyalty oaths common in mafia romance tropes.
Van Dyken channels this experience into the conventions of romantasy, a genre popularized by authors like Rebecca Yarros and Sarah J. Maas that blends epic fantasy with central romantic conflicts. The novel’s dark academia setting, Endir University, serves as a modern container for this ancient conflict between mythological figures. Van Dyken’s personal connection to Norse mythology, which she details in her author’s note (11) as a legacy from her grandfather, provides the foundational lore for this world. By interweaving her established expertise in high-stakes romance with a personal passion for mythology, Van Dyken situates Fallen Gods at the intersection of her authorial brand and contemporary genre trends, using familiar tropes to explore a deeply personal and epic story.
Fallen Gods draws heavily from Norse mythology, particularly stories surrounding Odin, the Giants (Jötnar), and Ragnarok, the apocalyptic conflict that destroys and remakes the world. In traditional Norse mythology, Odin is the ruler of the Aesir gods and is associated with wisdom, prophecy, war, and sacrifice. The Giants are ancient, powerful beings who exist in a complicated and often hostile relationship with the gods. Many of the novel’s conflicts specifically draw from the mythology surrounding the Frost Giants of Jötunheim, the icy realm traditionally depicted as the homeland of the Giants and a rival domain to the gods of Asgard. The novel adapts these mythological tensions into a modern fantasy setting centered on hidden identities, inherited power, and the lingering consequences of war (Encyclopaedia Britannica. “Germanic religion and mythology”).
The book incorporates recognizable mythological elements such as runes, prophetic visions, magical bloodlines, and references to mythological figures, including Loki and Laufey. Aric’s growing connection to ice, storms, and supernatural strength aligns him with the Giant lineage Odin sought to suppress after Ragnarok. The recurring language of “awakening” reflects a major theme in Norse mythology: the return of buried forces and destinies that cannot remain hidden forever. Rather than treating mythology as distant legend, the novel presents these ancient conflicts as living forces that continue shaping the modern world.
The novel also adapts Norse mythology through the conventions of contemporary fantasy romance. Ancient rivalries and prophecies are filtered through a university setting, emotionally charged relationships, and questions of trust, attraction, and loyalty. By combining mythological archetypes with modern interpersonal conflict, Fallen Gods uses Norse mythology as a framework for exploring identity, inheritance, power, and self-discovery.



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