Strangers: A Memoir of Marriage

Belle Burden

42 pages 1-hour read

Belle Burden

Strangers: A Memoir of Marriage

Nonfiction | Biography | Adult | Published in 2026

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Key Figures

Content Warning: This section of the guide includes discussion of emotional abuse and suicidal ideation.

Belle Burden

Belle Burden is the author and subject of Strangers: A Memoir of Marriage, narrated from her first-person perspective. The memoir is an expanded version of Burden’s well-received 2023 essay “Was I Married to a Stranger?,” published in the “Modern Love” column of The New York Times. After the essay prompted readers to share that Burden “made [them] feel less alone” or “made a difference in [their] life” (222), Burden decided to more fully explain the dissolution of her marriage to hedge-fund manager Henry P. Davis, whom she calls “James” in the text.


Burden comes from a very wealthy family; her grandmother was famous socialite Babe Paley, editor of Vogue magazine from 1939 through 1947. Her “innate style” and “famous glamour” led to appearances “on the International Best Dressed List” (170). Burden grew up in privilege, but her parents’ divorce and her father’s remarriage affected her understanding of marital dynamics. In the memoir, she chronicles a pattern of giving up her aspirations to appeal to male authority figures. For example, although she had a passion for writing and wanted to pursue a career in criminal law, she pivoted to corporate law for the sake of her father. Later, after a whirlwind three-month courtship, she was happy to cede decision-making power to James and adopt traditional gender roles in the relationship.


When James had an affair and left the family, Burden was blindsided both by his betrayal and by the need to become an independent woman during the first summer of the COVID-19 pandemic. The challenge of Reconstructing Life After Abandonment and Loss involved learning to trust her own parenting instincts, redecorating her living space according to her taste, and rediscovering her creativity. Burden’s return to writing “felt primal” because it was a way to assert “This is what happened” after “James had twisted the story of [their] ending” (180). In an effort to be “like a flashlight in that haze” (180), Burden sets down the facts in a lucid tone and uses a matter-of-fact style; the process of narration is part of the journey of finding and cementing a new self.


While Strangers is a tell-all account, Burden is careful not to disparage her ex-husband. Instead, she describes falling in love and building a family with him as positive experiences despite James’s eventual abandonment. At the same time, Burden’s memoir is openly confessional. She does not spare details of her emotional devastation, including her suicidal ideation, because she wants her story to empower women like her.

James/Henry P. Davis

“James” is the pseudonym that Burden gives to her ex-husband, Henry P. Davis. Burden met James when they were both working at the Manhattan corporate law firm Davis Polk in the 1990s. She was attracted to his good looks, charm, and no-nonsense approach to work and relationships. The two started dating, fell in love, and got married in three months. In retrospect, Burden sees how little she knew about James when they married. However, she asserts that they were genuinely in love.


James’s confidence was particularly appealing to Burden, who relied on his navigation of the world. As a timid person, Burden was happy to defer to James, who knew what he wanted and how to get it without fear or question. He knew how to make and manage money, how to run the home, and who Burden should be within this domestic sphere. Although Burden privately questioned James’s choices—demanding that she alter their prenuptial agreement, spending all his time at work, refusing to help with childrearing, or obsessing over minor expenses—she believed James was protecting her and the children. Instead of voicing any concerns, Burden either repressed her misgivings or hid her mild rebellion, such as buying what she wanted on a credit card that James didn’t know about.


James’s affair and abrupt decision to leave Burden unmoored her. For years, she had seen him as a guidepost; now, because his behaviors appeared so out of character, she wondered if she was to blame, if she had fabricated their love story, or if she had missed signs that James was untrustworthy or unhappy. She concluded that James’s father’s abandonment profoundly affected how he saw the world and noted that she had been too willing to accept his control. However, she claims to have found no explanation for his decisions at the end of their marriage.


The fact that James faced no pressure to explain himself underscores Male Entitlement and Domestic Power, which the memoir also locates in the stories of the couple’s fathers. All three men were empowered to indulge their whims and felt little compunction about leaving their children. None showed signs of remorse, reinforcing their belief that male desires were paramount in two succeeding generations. Burden doesn’t withhold the details of her anger, but she also does not attack James’s character. Rather, Burden extends empathy and grace to the person who hurt her.

Finn, Evie, and Carrie

Finn, Evie, and Carrie are Burden and James’s three children. Finn, who was an older teenager when the divorce happened, is at the periphery of Burden’s account. When the pandemic restrictions started in early 2020, Burden and James allowed him to stay “with his friend’s family on Long Island,” convinced that “he would be happier with his friends” and that “his time away from [them] would be limited, a couple of weeks at most” (6). As the pandemic escalated, Finn remained away from home. Initially, Burden was sad to be separated from her son, but she later realized that it was better for him to avoid seeing firsthand the emotional turmoil of his parents’ separation. Her intermittent visits to see Finn underscore her longing for the past and fear of the future.


Evie and Carrie are more present in the memoir, as they were with Burden on Martha’s Vineyard during this time because they are younger than Finn.


Although Burden tried to keep the truth from her daughters, Evie discovered that her father had had an affair when she saw private text messages between her parents on Burden’s computer. Burden forthrightly depicts her children’s different reactions to their parents’ divorce: Finn hung up the video call when he heard the news, Carrie screamed at the news and ran away, and Evie worried about her mother’s mental health and took over cooking responsibilities. Burden became particularly concerned about shouldering the children’s emotional lives when James revealed that he did not want partial custody; he would not take them for weekends, vacations, or overnight stays. Becoming a single mother to her adolescent and young-adult children was a burden, but being there for them helped Burden overcome her own heartbreak.


Susan

Burden has always been close to her stepmother, Susan: Although upset by her parents’ divorce, Burden fell in love with her father’s new wife: “[Susan] was young and fun and gathered us up, spending hours making sandcastles with my brother on the beach in East Hampton, dining on soups of toilet paper at my pretend restaurants, reading to us at bedtime” (37). Throughout Strangers, Burden frequently references Susan’s comforting guiding presence; as a maternal figure and mentor, she encouraged Burden to take care of herself instead of trying to rationalize James’s behaviors.

Anna

Anna is one of Burden’s best friends, “compassionate and wise, her personality completely authentic, with no channel for falseness” (19-20). Anna was one of the first people whom Burden told about James’s affair; after James’s departure, Anna called Burden every morning to check in on her. Late in the memoir, Burden describes an intimate conversation in which Anna confessed that she liked Burden better since the separation. Burden was initially offended by this remark but understood that Anna was right: Burden had changed for the better.

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