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Entering London with his retinue, the King of England seeks the new mayor. One of the noblemen speaks dismissively of Simon Eyre, describing him as a loud, boisterous man who seems more like a rabblerouser than a real official. On important matters, the nobleman concedes, Eyre seems sensible enough.
The King is intrigued and asks to meet with Eyre. However, he is concerned that Eyre might not be his true self in front of a monarch and he will be “dashed clean out of countenance” (19.12). Eyre should be told, the King orders, to be his usual self when he appears before the King.
Simon Eyre has organized a big feast for the “jolly gentlemen shoemakers” (20.1). He announces that the shoemakers should serve the food because the profession should be honored in front of the King. Calling for the consumption of wine and beer, he assures everyone that they can eat as much as they like. The shoemakers struggle to serve everything but—since many of the guests are already very drunk—there is not much demand for food. Eyre is pleased anyway; he bellows instructions and makes sure that the apprentices are having fun. The merriment is in honor of St. Hugh, the patron saint of shoemakers, who is celebrated by the guests.
Margery enters, accompanied by Lacy and Rose. The King is nearby, she says, and comments that Eyre has been told to act his usual self. Lacy has a request for Eyre: He wants Eyre to ask the King to “free pardon” (20.39) Lacy for abandoning the military and to intervene on Rose’s behalf with the Earl of Lincoln and the Lord Mayor. Eyre agrees to do what he can. Margery is concerned about what her husband might say in front of the King, but he dismisses her concerns. He takes Lacy, Rose, and his people out to visit the King. Eyre is sure that he can get what he needs.
Meeting with Eyre, the King announces a pardon for Lacy out of “kingly love” (21.2). He approves of the marriage between Lacy and Rose, whom he invites to kneel before him. Eyre praises the King’s decision, taking the opportunity to point out his continued loyalty even though he is just a humble shoemaker. The King is amused by Eyre’s behavior. When he asks Eyre for his age, Eyre jokes that he still feels young, even if he is 56. Eyre is “lusty still” (21.30), he claims, and he and Margery are very happy together. This further amuses the King.
Lincoln enters. Accusing Lacy and others of being “traitors” (21.37), he threatens to spoil the mood. The King is unconcerned. Lacy was in the wrong, the King says, but his actions were motivated by love rather than fear. When Lincoln and the Lord Mayor argue against the marriage on the grounds that Rose is not a member of the nobility, the King seems to hesitate. He dwells on whether the marriage should, in fact, be annulled, but then—inspired by Lacy and Rose declaring their love for one another—speaks in favor of a real marriage. He knights Lacy, making him Sir Rowland, which means that Rose is also raised up in station. She is now “a lady and a bride” (21.114).
Eyre praises the King again, offering his thanks. The King offers a new reward to Eyre, announcing that a new building will be named Leadenhall due to lead being found during the construction process. Eyre makes a request on behalf of his profession: He wants Leadenhall to host twice-weekly leather markets. The King gives his approval; the markets will be held every Monday and Friday.
As the shoemakers celebrate, Eyre invites the King to a banquet. Years ago, Eyre explains, he was just a poor water carrier. Then, he made a promise that—if he were ever to become mayor—he would “feast all the prentices” (21.176-177). Though he has held one feast for them already, he now invites the King to another. The King accepts. He praises the day’s enjoyment as the characters prepare to celebrate together, declaring that “wars must right wrongs which Frenchmen have begun” (21.188).
The Shoemaker’s Holiday culminates in a showdown between the various sides over The Tensions of Class Mobility. The shoemakers, united as a professional working-class force, have shown their solidarity with Ralph and now are ready to keep defending Lacy and Rose. The way the play swiftly abandons the potential conflict and turns to a celebratory mood speaks to the charisma of Simon Eyre himself. As Lord Mayor, he represents the social order of London. As a shoemaker, he understands working-class solidarity. Not only does he call for vast volumes of food and drink to be served, he insists that his fellow professionals do the serving. He wants others to understand the humility that—he believes—is an important part of his success. The feast is not only a celebration of the shoemakers, but of Simon Eyre’s worldview.
Meanwhile, Oatley and Lincoln are furious that the marriage between Lacy and Rose threatens to undermine the social order. This challenge to class permanence is an affront to their belief in the importance of the status quo, whereas Lacy and Rose do not care about social class. They believe that love transcends social class, while their relatives do not. Both sides of this ideological conflict seek help from the King to resolve the tension. Lacy asks Eyre to request a pardon on his behalf, while Oatley and Lincoln petition the King to annul the marriage. Both sides invest their hopes in the power of the monarch, with both those who wish to preserve the status quo and those who advocate for class mobility invested in the King as the ultimate authority. Whereas the characters may challenge social class in many ways, they do not ever challenge the monarchy. The King eventually strikes a balance, approving the marriage but elevating Rose and Lacy so that their marriage is no longer a threat to the social order. Since this is a power belonging only to the King, the play agrees with the characters’ belief in the unique and complete authority of the monarch to resolve social tensions.
When meeting with Simon Eyre, the King is impressed at the honesty and sincerity of the new Lord Mayor, reflecting Labor as Civic Virtue and Alternative Heroism. He offers Eyre the opportunity to make one request. Given the power of the King to resolve tensions and raise people up, it is telling that Eyre seeks only a commercial benefit for his colleagues. He asks for a market to be held twice a week, a request that the King immediately grants. This does not eradicate or even challenge the class system; rather, it provides a commercial opportunity for the working-class men to gradually raise their status through commerce. Eyre’s request not only illustrates his loyalty toward his trade, but also his belief in the gradual lifting of the social classes toward a state of mutual benefit through trade. The markets symbolize the way craft and commerce can offer an alternative form of class mobility that does not radically alter the overall status quo.



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