63 pages • 2-hour read
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Content Warning: This section of the guide references graphic violence, child death, and illness or death.
Serilda prepares to visit Madam Sauer to retrieve a book about Adalheid, viewing knowledge as her only weapon against the Erlking. At the schoolmistress’s cottage, Madam Sauer confronts Serilda with hostility, accusing her of theft after finding an inscription identifying the book as the property of Professor Frieda Fairburg and the Adalheid Library. The two argue bitterly before Serilda snatches the book back and storms out.
On the road to Adalheid, Serilda’s fear transforms into fury. She solidifies her plan: sneak into the castle, find Gild, ask about her mother, the castle’s history, and any weaknesses the Erlking might have. Remembering the kiss he gave her, she admits to herself that she wants to see Gild again.
Serilda arrives in Adalheid to find the spring equinox celebration starkly different from Märchenfeld’s festivities. Doors bear garlands of animal bones, and townspeople prepare a somber feast alongside caged live animals for the hunt’s entertainment.
Leyna greets Serilda warmly, explaining that the feast belongs to the hunters and that Vergoldetgeist is rumored to be the only castle resident who does not attend. Serilda confides her plan to sneak into the castle during the feast. Lorraine interrupts them and warns that confronting the Erlking during the Feast of Death would be suicide, explaining that the feast is a tradition to appease the hunt and keep Adalheid’s children safe.
As dusk falls, townspeople gather near the bridge to launch a skeleton effigy of Velos, the god of death, which the hunters will use for target practice. After Lorraine’s speech, the crowd disperses, and Leyna gives Serilda detailed instructions for sneaking into the castle by boat. Serilda hides until the streets are empty, then makes her way to the docks. As the last sunlight disappears, the veil drops, and the ruined castle transforms from decayed to magnificent. A hunting horn sounds from within.
Serilda flattens herself on the dock as the castle gates open. The Erlking leads a procession of dark ones and ghosts across the bridge, where ghost servants pour drinks and musicians play. Serilda searches for her mother among the female ghosts, but recognizes no one.
The Erlking fires an arrow into the Velos effigy and shouts for the hunt to begin. Cages open, terrified animals scatter through the city, and hounds and hunters give chase.
Serilda creeps to a boat belonging to the Wild Swan Inn. She’s never rowed before and struggles to maneuver it to the castle, but the party noise masks her clumsiness. After a difficult climb up slick, moss-covered rocks, she hauls herself onto the empty bridge and dashes through the castle gates. Torn between searching for Gild and investigating the mysterious room with the tapestry, she decides to quickly check the room first.
The castle interior is eerily pristine and fully lit but completely empty. Serilda navigates to the mysterious room and finds it unlocked. Inside, a single candle illuminates a lace-draped cage containing an unmoving shape. The tapestry, hanging in shreds, shows a nighttime garden scene with a skull-faced man in royal regalia and a girl with thick ringlet curls who resembles the portrait from the locket.
A drude lunges from the shadows and plunges Serilda into a nightmare: the Märchenfeld schoolhouse burning, her father dead, her loved ones tortured and killed. A roar breaks through—Gild appears wielding a golden sword and kills both drudes before scolding Serilda for her recklessness. When her legs give out, he apologizes and helps her to the great hall fireplace.
Gild explains that drudes can terrorize victims until their hearts stop and admits he had been watching over her since her first visit. Serilda describes the cage and tapestry, suggesting the drudes guard something the Erlking wants hidden. He pleads with her never to return to that room. She promises not to go back unprepared, then cleans the blood from his temple with her cloak. She tells him she came back to see him. Gild smiles and asks if she would like to help with something important to him.
Gild leads Serilda to the outer castle wall, where he has prepared a crate of small golden trinkets for the townspeople of Adalheid to find. She helps him toss them over the wall. Gild reveals he is Vergoldetgeist and began leaving gifts years ago to amuse himself, only later realizing how vital his generosity has become to the city’s success. Serilda confirms the townspeople are deeply grateful.
Gild mentions that the Erlking recently moved Serilda’s spun gold to an unknown location. He explains he cannot truly befriend the other ghosts because the Erlking controls them, making him an outcast among the castle’s spirits.
Serilda tells Gild about her mother, Idonia, who was taken 16 years ago. Though he cannot recall such a spirit, he promises to investigate. He reveals he has no memory of his own previous life, and none of the other ghosts remember him either.
On the tower stairs, Serilda confronts Gild about his physical distance all night. He apologizes for kissing her, calling it ungentlemanly. Hurt, Serilda reveals it was her first kiss. Gild confesses it was his first as well, as far as he can remember, and admits to his intense loneliness. He tells her that he has never felt this way for anyone. Understanding his desperation for connection, Serilda offers friendship and takes his hand. They embrace, and she realizes she needs the comfort as much as he did. She feels only her own heartbeat as he has no pulse. When the Erlking’s hunting horn sounds, Gild asks if she would like to see his tower.
Gild’s room in the southwest tower is a cozy haven with rugs, books, and a spinning wheel. Standing close, Gild tells Serilda he believes she is destined for something greater and caresses her cheek. Just as they lean in to kiss, Giselle’s enraged scream echoes from below. Gild pulls Serilda into a dark alcove and wraps her cloak around them as Giselle marches past, furious about another of Gild’s prank on the hellhounds—he’d put crushed holly berries in their bedding.
After Giselle leaves, Serilda suggests she wait in the alcove until sunrise. They kiss tenderly, and for Serilda, the moment feels like a promise that she will return. Suddenly, Gild vanishes mid-embrace as dawn breaks and the veil returns. Serilda finds herself alone in the now-ruined alcove. Written in the dust on a nearby shield is a message asking whether she will come back.
Serilda returns to the Wild Swan Inn and sleeps past noon. She wakes to find painful gouges on her shoulder from the drude attack. She decides they don’t require bandaging and catches her own smile in the mirror—seeing it as beautiful for the first time.
Downstairs, she examines her library book with Leyna but finds a frustratingly vague account of Adalheid’s history. Disappointed, she resolves to visit the library itself and invites Leyna along.
Walking through town, they spot fishermen searching for Gild’s gold. When Leyna expresses a wish to enter the castle, Serilda sharply warns her against it, describing the misery and violence within. She through her growing list of questions: Why did the dark ones move to Adalheid? What happened to the spirits? What does the Erlking wants with the gold? Who is Gild really? What happened to her mother? She pleads with Leyna never to put herself in danger.
As they walk, Leyna asks about Serilda’s favorite dessert. When Serilda mentions honey walnut cakes from her childhood, Leyna promises that if Serilda becomes a ghost, she will always leave them for her during the Feast of Death.
At the Adalheid library, Professor Frieda eagerly offers to help them research, but the city ledgers and records yield nothing useful. When Serilda tells them that the Erlking himself mentioned a royal family that used to reside in the castle, Frieda realizes how peculiar it is that the town has no records of its most prominent landmark beyond two or three centuries. Serilda proposes visiting the cemetery, and Frieda agrees.
At the cemetery, Frieda points out a hill covered with hundreds of plain stones marks the graves of unnamed victims left by the hunt. When Serilda asks whether a young woman was found 16 years ago, Frieda reveals the library maintains detailed records of every body discovered—giving Serilda new hope about her mother.
Frieda leads them to a remote corner containing ornate marble gravestones, centuries old, with birth and death dates but completely blank name spaces. Leyna finds one with a crown carved on top. Serilda clears away ivy and discovers an etching of a tatzelwurm entwined around the letter R, with a name space that appears perfectly smooth—as though never carved, rather than worn away by erosion. Leyna hesitantly suggests the names could have been erased with magic, and Serilda and Frieda exchange glances, considering the possibility seriously.
As this section opens, Adalheid Castle’s opulent interior masks the violence enacted within its walls—a symbol that reinforces the novel’s thematic engagement with The Façade of Beauty and the Nature of Monstrosity. The castle’s glamour hides its dark reality just as the Erlking’s elegant demeanor veils his sadism. When Serilda explores the keep, she discovers a locked room holding a shredded tapestry of a skull-faced king and a caged figure, guarded by drudes that plunge her into paralyzing nightmares. The stark contrast between the castle’s majestic appearance and the grotesque monsters lurking in its hidden chambers highlights the supernatural realm’s splendor as a constructed illusion designed to obscure its fundamental brutality.
During the spring equinox, the citizens of Adalheid willingly provide a feast and release caged live animals for the hunters and hellhounds to chase, using the motif of the Wild Hunt to highlight the idea of Finding Agency Within Restrictive Boundaries. This tradition of the Feast of Death functions as an unwritten transaction: the town sacrifices game to appease the Erlking so that their own children are left alone, negotiating a measure of agency even under the Erlking’s tyranny. By organizing this gruesome spectacle, the townspeople secure a fragile safety, adapting to the strict rules of their environment. They cannot defeat the dark ones, so they construct a transactional framework to survive them. Mayor Lorraine’s fierce defense of this practice underscores the psychological toll of the hunt on the town. The constant threat forces mortals to become complicit in the Erlking’s predatory games to preserve their own community.
Similarly, within the castle’s oppressive boundaries, Gild maneuvers to claim limited power, utilizing his unrecognized status to undermine the dark court. As a ghost bound to the fortress, his movements are heavily restricted, yet he capitalizes on the Erlking’s dismissive view of him as a harmless poltergeist. Gild reveals to Serilda that he is the Vergoldetgeist, the mysterious benefactor who secretly tosses golden trinkets over the walls for the townspeople to discover. By distributing this wealth, Gild subtly counteracts the Erlking’s cruelty and actively sustains the prosperity of the mortal city below. Gild demonstrates his ability to exploit rigid magical laws to establish independence even under the constraints of his curse. By taking advantage of the boundaries of his imprisonment, he discovers ways to exert his own will. His isolation from the other ghosts, who are entirely mind-controlled by the king, grants him unique autonomy. His ability to act independently, even in small ways such as sabotaging the hellhounds’ bedding, positions him as a silent resistor within an absolute dictatorship.
The deepening romance between Serilda and Gild acts as a counterpoint to the surrounding violence, grounded in their mutual isolation and vulnerability. When the two seek refuge in a dark alcove to avoid the master of the hounds, their physical intimacy underscores the stark realities of Gild’s curse. During their embrace, Serilda recognizes the unnatural nature of his existence, noting the absence of his pulse and realizing that she “could feel his heartbeat drumming against her, until she realized that it was her own beating for them both” (304). This physiological detail highlights the impassable barrier between the mortal and spectral realms, emphasizing the impossibility of their situation. Their connection is driven by a shared desperation for humanity in an environment defined by death. However, this intimacy is strictly governed by the mechanics of the magical world; when dawn breaks, the veil returns and Gild abruptly vanishes mid-embrace.
This section culminates in a broader investigation of historical erasure, underscoring The Power and Peril of Storytelling. When Serilda, Leyna, and Frieda visit the town library and cemetery, they discover a systemic void in Adalheid’s past. The absence of civic records older than a few centuries, alongside ornate ancient gravestones with magically smoothed nameplates, suggests a deliberate annihilation of identity. Discovering the tatzelwurm seal—the exact crest engraved on the ring Serilda received from the moss maidens—links this forgotten royalty directly to the magical realm. This erasure demonstrates that the Erlking’s monstrosity extends beyond immediate physical threat—his power is utilized to wipe entire lineages from existence and collective memory.



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