Autumn: A Novel

Ali Smith

Autumn: A Novel

Ali Smith
54 pages1-hour read
Fiction
Novel
Adult
Published in 2016

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Background

Content Warning: This section of the guide includes discussion of illness, death, death by suicide, and racism.

Political Context: The 2016 Brexit Referendum

Ali Smith’s Autumn was published in October 2016, just four months after the United Kingdom’s referendum on European Union (EU) membership, and is widely considered the first post-Brexit novel. On June 23, 2016, the UK voted to leave the EU by a narrow margin of 51.9% to 48.1%. The result exposed deep social and political divisions, ushering in a period of intense uncertainty and acrimony. 


Among the various factors that contributed to the result of the referendum was the pervading skepticism regarding the UK’s relationship with Europe, especially since the UK was expected to contribute its economic resources toward initiatives that did not directly benefit the country, such as bailout plans during the 2010s eurozone debt crisis; free-movement agreements across the union also helped to enable a large number of immigrants to settle in the UK. Proponents of the “Leave” vote leveraged this skepticism and xenophobia to convince British citizens that the UK would be better off funneling its economic contributions back into its own social institutions, promising improved services that would drive up the quality of life for British citizens and erase regional economic inequalities. This engaged a populist thrust to the “Leave” vote. 


The “Remain” campaign warned against the potential socioeconomic pitfalls of Brexit: losing access to the European single market, which would inhibit trade of goods and services and present barriers to businesses; consumer goods increasing in price as a result; and cutting off a large European labor supply for many services in Britain. The Brexit result immediately caused a 10% fall in the value of the British pound, leading to inflation that drove up the price of imported goods. By June 2026, the pound had still not recovered to its pre-Brexit value in relation to the Euro; analysts also judged that the GDP was up to 8% lower than it would have been if the UK had remained in the EU, while British business investment is estimated to be 18% behind a “Remain” scenario (Partington, Richard. “How Brexit Has Made Britain Poorer – in Charts.” The Guardian, 14 June 2026). These factors have contributed to a national “cost of living crisis,” which began in 2021 (Hourston, Peter. “Cost of Living Crisis.” Institute for Government, 7 Feb. 2022).


The rocky negotiations between the UK and the EU from 2017 to 2018, along with the immediate economic impact of Brexit and the failed push for British Parliament to ratify a Withdrawal Agreement by 2019, gradually convinced citizens that Brexit was largely mishandled. Since the UK’s formal withdrawal from the EU in 2020, public opinion of Brexit’s benefits has steadily declined, and various polls have revealed that a majority of respondents want the country to rejoin the union (“Post-Brexit Poll of Polls.What UK Thinks: EU).


The novel directly channels this atmosphere, opening with a variation on Charles Dickens: “It was the worst of times, it was the worst of times. Again” (3). This sense of a fractured nation is central to the narrative. Characters grapple with a landscape where “all across the country, the country split in pieces” (61). The aftermath of the vote also saw a documented rise in xenophobia and hate crimes. This reality is reflected in the novel when Elisabeth sees a cottage vandalized with the words “GO and HOME” (53), a stark example of the hostility that surfaced. Elisabeth’s mother captures the prevailing mood of exhaustion and despair, stating that she’s “tired of the vitriol. [She’s] tired of the anger. [She’s] tired of the meanness” (56), articulating the emotional toll of the referendum on the national psyche.

Cultural Context: Pauline Boty and British Pop Art

The life and work of Pauline Boty (1938-1966), a founding member of the British pop-art movement, are central to Autumn. Pop art typically incorporates imagery from mass culture, such as advertising and illustration, into traditional fine art forms, such as sculpture and painting. This juxtaposition of high art and kitsch is leveraged as a critique against consumer culture, heavily relying on irony to interrogate the banality of Western society. The movement developed in the 1950s, largely as a reaction to the consumerist social and cultural trends that emerged in the US and the UK in the aftermath of World War II. Whereas American pop artists began by reacting to the revival of representational art, British pop artists were reacting to the iconography of American pop culture, using their distanced vantage point to critique the idea of a prosperous modern society.


As the only prominent female painter in the movement, Boty created vivid collages and paintings that celebrated female sexuality and offered sharp critiques of a male-dominated world. Her career was cut short when she died of cancer at age 28, and her work was largely forgotten for decades, stored on her brother’s farm until being rediscovered in the 1990s. In the novel, Elisabeth Demand’s academic career is dedicated to rescuing Boty from obscurity, mirroring the real-life efforts of curators and scholars. Daniel Gluck, who knew Boty, introduces a young Elisabeth to her art by describing it from memory, calling her the “Wimbledon Bardot,” a nickname hat Boty had in art school. His descriptions of her collages, which are filled with images of Marilyn Monroe, exploding airships, and political figures, ignite Elisabeth’s imagination and shape her future path. Boty’s art often juxtaposes images of glamor and violence, exploring how media shapes perceptions of women and political events. By making Boty’s overlooked legacy a primary focus, Smith highlights themes of forgotten histories, the power of art to preserve memory, and the importance of a feminist perspective in a world that often silences it.

Historical Context: The 1963 Profumo Affair

Boty’s lost painting Scandal 63 directly addressed the Profumo Affair, a political scandal that negatively impacted the reputation of the British government at the time. This affair is a significant historical touchstone in Autumn. It involved John Profumo, the secretary of state for war, and his extramarital relationship with 19-year-old model Christine Keeler. The situation escalated into a national-security concern because Keeler was also allegedly involved with Yevgeny Ivanov, a Soviet naval attaché, at the height of the Cold War. Profumo initially lied to the House of Commons about the affair but was forced to resign when the truth emerged, a breach of trust that severely damaged the Conservative government and contributed to its defeat in the 1964 election. 


The scandal is woven into the novel through Daniel’s memories and Boty’s art. Daniel recalls the trial of Stephen Ward, the socialite osteopath who introduced Keeler to Profumo and was later charged with living off immoral earnings. Ward died by suicide before his guilty verdict was delivered, and many viewed him as a scapegoat for the establishment. This historical event informs Boty’s now-lost painting Scandal 63, which Elisabeth studies. The painting depicted a nude Keeler straddling a chair in the style of a famous portrait of her taken by photographer Lewis Morley at the peak of the scandal. Near the top of the canvas, Boty painted in the male figures from the affair, recontextualizing Keeler’s sexualized public image through a critical, female lens that highlighted the sanitized reputations of the male figures involved. For Daniel, the affair is a strong memory, representing a moment of societal upheaval where private lives and public politics violently collided, mirroring the novel’s broader themes of truth, lies, and the fallibility of power.

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