It Could Have Been Her

Lisa Jewell

It Could Have Been Her

Lisa Jewell
66 pages2-hour read
Fiction
Novel
Adult
Published in 2026

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Background

Geographical Context: The Vale of Health and Hampstead Heath

The primary setting for the novel’s central mystery is Thornwood, a house located in the Vale of Health, a small hamlet set within Hampstead Heath in North London. Historically, the area was a swamp known as Hatch’s Bottom until the 1770s, when it “was drained by the Hampstead Water Company in the 1770s, and houses were built on the reclaimed land” (Hartwell, Oliver. “The Vale of Health: Hampstead’s Hidden Hamlet in the Heath.” Hampstead-Village.Com, Hampstead Village London, 18 Mar. 2026). A popular but likely unfounded local legend, which the novel references, claims its name comes from its time as a sanctuary during 18th-century plagues. The hamlet also has a celebrated literary history. In the early 19th century, “The poet, essayist, and editor Leigh Hunt lived in the Vale of Health [and] His cottage became a gathering place for the Romantic circle, Keats, Shelley, Byron, and Hazlitt are all said to have visited. [Hunt’s] presence drew the leading literary figures of the age” including D. H. Lawrence and Rabindranath Tagore (Hartwell). 


Physically, the Vale is an isolated pocket of urban wilderness, an island of houses surrounded by the 690 acres of woodland and meadows that comprise Hampstead Heath. This unique geography creates a sense of seclusion despite its location within one of the world’s busiest cities. Author Lisa Jewell uses this real-world setting to cultivate the novel’s claustrophobic atmosphere, foregrounding her thematic exploration of The Dangers of Isolation. When Jane first visits Thornwood, she recalls “the strange sensation of leaving the heart of loud, high-octane Friday-night London” and arriving in a “sleepy Dickensian hamlet” that feels “cut off from the rest of the world” (12). This sense of isolation makes it plausible that the Vale’s various inhabitants could be held captive and disappear without a trace. The house itself feels like “the last house in the world” (12), transforming the picturesque hamlet into a menacing and inescapable trap, enhancing the story’s Gothic tension.

Literary Context: Charlotte Brontë’s Jane Eyre

It Could Have Been Her is a dark, modern reimagining of Charlotte Brontë’s classic 1847 Gothic romance, Jane Eyre. By referencing Brontë’s work, Jewell imbues her own story with a Gothic atmosphere, using literary allusion to build suspense and foreshadow the dark secrets at the heart of the novel. For example, Jewell’s primary setting, Thornwood—a direct reference to Mr. Rochester’s ancestral house in Brontë’s novel—signals the Blacks’ home as a place harboring sinister secrets left to fester in isolation, waiting to be uncovered by an outsider. Jewell’s protagonist, Jane Trevally, who shares her first name with Brontë’s heroine, is also an orphan haunted by her past and the neglect of the adults in her life. Jane Trevally’s early experiences of loss and abuse motivate her to provide a stable, loving presence in the lives of her many stepchildren just as Brontë’s Jane does with Mr. Rochester’s ward, Adele. Both women’s intrinsic survival instincts, honed by their childhood trauma, make them naturally inquisitive and hyper-aware of their surroundings—traits that Jewell uses as the basis for Jane’s aspirations as a private investigator. 


In Jane Eyre, the central mystery revolves around strange noises and a violent, unseen figure eventually revealed to be Bertha Mason, Mr. Rochester’s first wife, who suffers from mental illness and lives locked away in Thornwood’s attic. This Gothic element sits at the center of Jewell’s plot, with Allen Black’s “au pair girls” (166) imprisoned in the attic bedroom. When Jane Trevally first visits the house, she hears a “scream and a thud from upstairs” (13), an event that directly parallels Jane Eyre’s experience hearing Bertha’s unsettling laughter and screams at Thornfield. This intertextuality creates a sense of foreboding, inviting readers familiar with Brontë’s novel to anticipate a similar revelation of a captive woman and a dangerous man, thereby deepening the story’s atmosphere of dread and suspense from the very beginning.

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